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Afterword: Studying Media with and without Paratexts
9 references·4 citing·35 second hop
Afterword: Studying Media with and without Paratexts (2015)Afterword: Studying Media with and withou…Show Sold Separately: Promos, Spoilers and Other Media Paratexts (2011)Show Sold Separately: Promos,…Show sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…Genre and Television: From Cop Shows to Cartoons in American Culture (2004)Genre and Television: From Co…Genre and Television (2004)Genre and TelevisionTelevision, Audiences and Cultural Studies (2003)Television, Audiences and Cul…Film/Genre (1999)Film/GenreParatexts: Thresholds of Interpretation (1997)Paratexts: Thresholds of Inte…Gérard Genette Paratexts (1997)Gérard Genette ParatextsLIVING ROOM WARS (1996)LIVING ROOM WARS‘Do you wanna come with me?’: The role of the star image as brand for the commodification of cult in mainstream telefantasy (2019)‘Do you wanna come with me?’:…World Building. Transmedia, Fans, Industries (2017)World Building. Transmedia, F…World Building. Transmedia, Fans, Industries (2017)World Building. Transmedia, F…The Paratextual Analysis of English Translations of Arabic Media Narratives on Daesh (2017)The Paratextual Analysis of E…Course in General Linguistics (1960)Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Patterns of listening through social media: online fan engagement with the live music experience (2012)The Influence of Paratext on Narrative Persuasion: Fact, Fiction, or Fake? (2012)Paratext and Digitized Narrative: Mapping the Field (2013)Frame Analysis: An Essay on the Organization of Experience. (1975)The Dialogic Imagination: Four Essays (1981)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Looking into the “Anime Global Popular” and the “Manga Media”: Reflections on the Scholarship of a Transnational and Transmedia Industry (2019)Modeling narrative features in TV series: coding and clustering analysis (2022)Transfictionality, Extensions and Transmedia Journalism: Expanding the Storyworld of Slavery of The 1619 Project (2024)Content Analysis in Communication Research. (1952)How To Do Things With Words (1975)Reproduction in Education, Society and Culture (1979)Narrating Crisis: The Discursive Construction of the `Winter of Discontent' (1996)Culture in Interaction (2003)Researching risk and the media (1999)A critique of cultural education in nursing (2001)Do you identify as a gamer? Gender, race, sexuality, and gamer identity (2011)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)New Audiences, New Textualities (2003)Transmedial Storytelling and Transfictionality (2013)Exemplary Ethics in Ancient Rome (2018)Creative Crowds. Perspektiven der Fanforschung im deutschsprachigen Raum (2014)“Not merely para”: continuing steps in paratextual research (2017)Lemony Liz and likable Leslie: audience understandings of feminism, comedy, and gender in women-led television comedies (2017)CSI and moral authority: The police and science (2007)Perceptions of the Authenticity of Reality Programs and Their Relationships to Audience Involvement, Enjoyment, and Perceived Learning (2009)The images in television programs and the potential for learning unknown words (2018)Progress against the law (2005)Identities, Genres, and Organizational Forms (2005)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)
this work references cited by second hop

References

  • 1997Paratexts: Thresholds of Interpretation2,686 cited
  • 1997Gérard Genette Paratexts1,954 cited
  • 2003Television, Audiences and Cultural Studies1,244 cited
  • 1996LIVING ROOM WARS1,012 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 1999Film/Genre703 cited
  • 2004Genre and Television320 cited
  • 2004Genre and Television: From Cop Shows to Cartoons in American Culture317 cited
  • 2011Show Sold Separately: Promos, Spoilers and Other Media Paratexts158 cited

Cited by

  • 2017World Building. Transmedia, Fans, Industries41 cited
  • 2017The Paratextual Analysis of English Translations of Arabic Media Narratives on Daesh24 cited
  • 2017World Building. Transmedia, Fans, Industries12 cited
  • 2019‘Do you wanna come with me?’: The role of the star image as brand for the commodification of cult in mainstream telefantasy5 cited

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