From the erotic to the demonic : on critical musicology

Derek B. Scott

66 citations0/0 files storedOxford University Press eBooks

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

Abstract

From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of high and low musical styles, and the cultures that produced them.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 66 citations exist upstream.

Cited by

2011Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology 2019German Operetta on Broadway and in the West End, 1900–1940 2012Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex 2009Sing a song of difference: Connie Boswell and a discourse of disability in jazz 2018The Routledge Companion to Jazz Studies 2012The Accessibility of Music: Participation, Reception, and Contact 2016Early Twentieth-Century Operetta from the German Stage: A Cosmopolitan Genre 2024Music, Encounter, Togetherness

Imported from OpenAlex (CC0) — nothing here is generated.