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This paper argues that multiplicity of viewpoint is the norm in discourse, and is best studied in terms of networks of local viewpoints contributing to and supervised by a higher-level Discourse Viewpoint: rather than a hierarchical ‘list’, then, viewpoint in discourse involves networked configurations. Depending on the viewpoint network required for interpretation, one and the same linguistic form (even a lowly grammatical form such as a pronoun or a determiner) may carry a different meaning, and viewpoint functions emerge in a wide range of contexts, which necessitates study of a broad range of data, not just narratives. The examples discussed in this paper thus include, alongside narrative excerpts, quotes from film discourse, examples of a popular internet meme, and the a contemporary piece of video art, all of which evince multiple viewpoint configurations every bit as complex as in traditional narrative, requiring among other things compressions and zoom-outs to be established between discourse, belief and narrative spaces; defocusing and refocusing; and decompression of a discourse and its embodiment. In all cases, we propose that the different viewpoints are reconciled and understood at the level of the Discourse Viewpoint space, regulating and supervising the network.
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