SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Blowin the Blues Away : Performance and Meaning on the New York Jazz Scene
2 references·9 citing·37 second hop
Blowin the Blues Away : Performance and Meaning on the New York Jazz Scene (2012)Blowin the Blues Away : Performance and M…3.2. MARXISM AND LITERATURE (2006)3.2. MARXISM AND LITERATUREThe Cultures of Cities (1995)The Cultures of CitiesCongo Square and the Second Line (2024)Congo Square and the Second L…A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century (2019)A Scene Without A Name: Indie…From Juke Joints to Jazz Jams: The Political Economy of Female Club Owners (2018)From Juke Joints to Jazz Jams…Rethinking Interaction in Jazz Improvisation (2016)Rethinking Interaction in Jaz…The Black Pacific: Music and Racialization in Papua New Guinea and Australia (2014)The Black Pacific: Music and …Jazz and Radio in the United States: Mediation, Genre, and Patronage (2014)Jazz and Radio in the United …Improvisation in the digital age: New narratives in jazz promotion and dissemination (2014)Improvisation in the digital …Gunther Schuller and the Challenge of Sonny Rollins: (2014)Gunther Schuller and the Chal…Creativity in Jazz (2014)Creativity in JazzThinking in jazz: the infinite art of improvisation (1995)Changing Highbrow Taste: From Snob to Omnivore (1996)The Field of Cultural Production: Essays on Art and Literature (1996)Reflections on an imperfect normal: A letter to the future music industries (2021)Recapturing anthropology: working in the present (1992)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)“More than a Music, It’s a Movement”: West Papua Decolonization Songs, Social Media, and the Remixing of Resistance (2019)Ethnomusicology and the Indian Ocean: On the Politics of Area Studies (2020)First Nations music as a determinant of health in Australia and Vanuatu: political and economic determinants (2023)The Ideology of the Aesthetic (1988)The long tail: why the future of business is selling less of more (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)The Verbal Icon: Studies in the Meaning of Poetry (1956)Music in the Galant Style (2007)Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation (2016)Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’sThe Complete Live at the Plugged Nickel 1965 (2019)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Talking Back (2016)“We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff (2020)Outsiders; studies in the sociology of deviance (1963)Capital in the Twenty-First Century (2014)The Rise and Fall of “Indie Classical”: Tracing a Controversial Term in Twenty-First Century New Music (2018)Labor of Love, Labor of Sorrow: Black Women, Work, and the Family from Slavery to the Present (1986)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Gender, Black Feminism, and Black Political Economy (2000)The Structure of Scientific Revolutions (1963)The Dialogic Imagination: Four Essays (1981)The Location of Culture (2012)The Cultural Economy of Cities (1997)Creative Cities: Conceptual Issues and Policy Questions (2006)Creativity and tourism (2011)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Analysing Discourse: Textual Analysis for Social Research (2003)Cruising utopia: the then and there of queer futurity (2010)
this work references cited by second hop

References

  • 20063.2. MARXISM AND LITERATURE4,509 cited
  • 1995The Cultures of Cities1,343 cited

Cited by

  • 2014The Black Pacific: Music and Racialization in Papua New Guinea and Australia50 cited
  • 2014Gunther Schuller and the Challenge of Sonny Rollins:41 cited
  • 2016Rethinking Interaction in Jazz Improvisation21 cited
  • 2014Improvisation in the digital age: New narratives in jazz promotion and dissemination8 cited
  • 2019A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century7 cited
  • 2014Creativity in Jazz5 cited
  • 2018From Juke Joints to Jazz Jams: The Political Economy of Female Club Owners4 cited
  • 2014Jazz and Radio in the United States: Mediation, Genre, and Patronage3 cited
  • 2024Congo Square and the Second Line2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work