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Form and gesture: canzona, sonata and concerto
16 references·0 citing·18 second hop
Form and gesture: canzona, sonata and concerto (2005)Form and gesture: canzona, sonata and con…The Cambridge companion to the organ (1999)The Cambridge companion to th…Salamone Rossi (1999)Salamone RossiArcangelo Corelli (1999)Arcangelo CorelliModal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century (1998)Modal Theory, Church Keys, an…French Baroque music from Beaujoyeulx to Rameau (1998)French Baroque music from Bea…Henry Purcell (1994)Henry PurcellFour and Twenty Fiddlers: The Violin at the English Court 1540 - 1690 (1993)Four and Twenty Fiddlers: The…Four and Twenty Fiddlers (1993)Four and Twenty Fiddlers'Col nobilissimo esercitio della vivuola': Monteverdi's string writing (1993)'Col nobilissimo esercitio de…The performance of the basso continuo in Italian baroque music (1987)The performance of the basso …Venetian Instrumental Music from Gabrieli to Vivaldi (1976)Venetian Instrumental Music f…L'aria di Fiorenza, id est Il Ballo del Gran Duca (1973)L'aria di Fiorenza, id est Il…The Uses of the Sonata da Chiesa (1969)The Uses of the Sonata da Chi…The History of Violin Playing from Its Origins to 1761 (1967)The History of Violin Playing…Roger North on Music; Being a Selection from His Essays Written during the Years c. 1695-1728 (1960)Roger North on Music; Being a…The Sonata In The Baroque Era (1959)The Sonata In The Baroque EraMusic in the Myth of Venice (1977)"Venezia favorita da Maria": Music for the Madonna Nicopeia and Santa Maria della Salute (1984)The Cambridge History of Sixteenth-Century Music (2019)Instrumental performance in the nineteenth century (2012)The Cambridge History of Musical Performance (2012)The performer and the composer (2012)Improvised Ornamentation in Eighteenth-Century Orchestras (1986)Music in the market-place (2005)Vocal performance in the seventeenth century (2012)Performance practice: music, medicine and natural philosophy in Interregnum Oxford (1996)The politics of opera in late seventeenth-century London (1998)“By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I (2012)New light on the old bow--1 (2004)Of Beginnings and Ends (2017)Writing about Popular Music (2019)Jewish music and media of sound reproduction (2015)Klezmer music – a historical overview to the present (2015)The Cambridge Companion to Jewish Music (2015)
this work references cited by second hop

References

  • 1998French Baroque music from Beaujoyeulx to Rameau116 cited
  • 1993Four and Twenty Fiddlers107 cited
  • 1967The History of Violin Playing from Its Origins to 176179 cited
  • 1960Roger North on Music; Being a Selection from His Essays Written during the Years c. 1695-172863 cited
  • 1999Arcangelo Corelli61 cited
  • 1976Venetian Instrumental Music from Gabrieli to Vivaldi55 cited
  • 1987The performance of the basso continuo in Italian baroque music54 cited
  • 1993'Col nobilissimo esercitio della vivuola': Monteverdi's string writing53 cited
  • 1993Four and Twenty Fiddlers: The Violin at the English Court 1540 - 169042 cited
  • 1999Salamone Rossi41 cited
  • 1994Henry Purcell38 cited
  • 1998Modal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century36 cited
  • 1959The Sonata In The Baroque Era33 cited
  • 1969The Uses of the Sonata da Chiesa32 cited
  • 1973L'aria di Fiorenza, id est Il Ballo del Gran Duca26 cited
  • 1999The Cambridge companion to the organ26 cited

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