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‘The Hermeneutic Framing of Film Illustration Practice’: The Allgemeines Handbuch der Film-Musik in the Context of Historico-musicological Traditions
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‘The Hermeneutic Framing of Film Illustration Practice’: The Allgemeines Handbuch der Film-Musik in the Context of Historico-musicological Traditions (2014)‘The Hermeneutic Framing of Film Illustra…Semantisierte Sinnlichkeit : Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (2003)Semantisierte Sinnlichkeit : …Baroque Music in Post-War Cinema: Performance Practice and Musical Style (2021)Baroque Music in Post-War Cin…Hermann Kretzschmar’s Forgotten Heirs: “Silent”-Film Music as Applied Hermeneutics (2019)Hermann Kretzschmar’s Forgott…Zur Rekonstruktion von Stummfilm-Musik: Quellen, Probleme, Möglichkeiten (2018)Zur Rekonstruktion von Stummf…The Composer and the Studio (2016)The Composer and the StudioMaterializing Film Music (2016)Materializing Film MusicFilm-Music Theory (2016)Film-Music TheoryStory and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Narratology: introduction to the theory of narrative (1998)Lo Duca and Dreyer: Baroque Music, Extant Recordings, and Aleatoric Synchrony (2020)Sound Design is the New Score (2019)Dialectic of Enlightenment (2020)Silent Film Sound (2004)Silent film sound (2005)American Showman (2012)Genrespezifika der Filmmusik (2018)The Presentation of Silent Films, or, Music as Anaesthesia (1987)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) (2013)Mimesis: The Representation of Reality in Western Literature (1955)Text and act: essays on music and performance (1996)The classical style: Haydn, Mozart, Beethoven (1997)Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912) (2007)Richard Wagner: Self-Promotion and the Making of a Brand (2010)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)
this work references cited by second hop

References

  • 2003Semantisierte Sinnlichkeit : Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners58 cited

Cited by

  • 2016Materializing Film Music26 cited
  • 2018Zur Rekonstruktion von Stummfilm-Musik: Quellen, Probleme, Möglichkeiten23 cited
  • 2021Baroque Music in Post-War Cinema: Performance Practice and Musical Style6 cited
  • 2016The Composer and the Studio3 cited
  • 2016Film-Music Theory3 cited
  • 2019Hermann Kretzschmar’s Forgotten Heirs: “Silent”-Film Music as Applied Hermeneutics2 cited

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