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Location, Location, Location: Dance Film and Site-Specific Dance
16 references·0 citing·29 second hop
Location, Location, Location: Dance Film and Site-Specific Dance (2016)Location, Location, Location: Dance Film …Envisioning Dance on Film and Video (2013)Envisioning Dance on Film and…Site-specific Performance and the Mobility Turn (2012)Site-specific Performance and…Screendance: Inscribing the Ephemeral Image (2012)Screendance: Inscribing the E…Screendance (2012)ScreendanceDancefilm: Choreography and the Moving Image (2011)Dancefilm: Choreography and t…Dancefilm (2011)DancefilmChoreographing empathy: kinesthesia in performance (2011)Choreographing empathy: kines…Site dance: choreographers and the lure of alternative spaces (2010)Site dance: choreographers an…Choreographing Empathy (2010)Choreographing EmpathyReinventing dance in the 1960s: everything was possible (2004)Reinventing dance in the 1960…New Technologies At Work : People, Screens and Social Virtuality (2003)New Technologies At Work : Pe…Dance on Screen: Genres and Media from Hollywood to Experimental Art (2003)Dance on Screen: Genres and M…One Place after Another (2002)One Place after AnotherOne Place after Another (2002)One Place after AnotherDance on screen: genres and media from Hollywood to experimental art (2002)Dance on screen: genres and m…Mothers and Daughters (1981)Mothers and DaughtersThe Rhizomatic Relations of A/r/tography (2006)Art, Ecology and Art Education: Locating Art Education in a Critical Place-based Pedagogy (2007)Artistic and activist memory-work: Approaching place-based practice (2007)Feminism and Motherhood: An American Reading (1992)DISTURBANCES IN THE SOCIAL BODY (2001)The wealthy get healthy, the poor get poorly? Lay perceptions of health inequalities (2005)The Practice of Public Art (2008)Building Utopia: Performance and the Fantasy of Urban Renewal in Contemporary Toronto (2009)Engaging geographies of public art: indwellers, the ‘Butt Plug Gnome’ and their locale (2012)Porn Style? Space and Time in Live Opera Videos (2010)Writing for the Body (2011)Music, dance and the total art work: choreomusicology in theory and practice (2012)Bodies in place: location as collaborator in dance film (2014)Witnessing Loss (2014)Introduction: Towards an Ethics of Gesture (2017)Moving Institutional Logics Forward: Emotion and Meaningful Material Practice (2017)Reinventing critical pedagogy as decolonizing pedagogy: The education of empathy (2018)Between and within choreographies: An early choreographic object by William Forsythe (2020)Intimate Encounters: Screendance and Surveillance (2017)Critical Disability Studies and the Question of Palestine (2023)Differential Being and Emergent Agitation (2023)Moving in and out of synchrony: A concept for a new intervention fostering empathy through interactional movement and dance (2012)Gestural Imaginaries (2019)Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring (2018)Choreography Invisible (2020)Theatre without theatres: Investigating access barriers to mediatized theatre and digital liveness during the covid-19 pandemic (2022)Understanding The “Dance” In Radical Screendance (2014)Greece and Rome on Screen (2017)Black Cinematic Gesture and the Aesthetics of Contagion (2018)
this work references cited by second hop

References

  • 2002One Place after Another942 cited
  • 2011Choreographing empathy: kinesthesia in performance419 cited
  • 2010Choreographing Empathy227 cited
  • 1981Mothers and Daughters160 cited
  • 2011Dancefilm114 cited
  • 2012Screendance: Inscribing the Ephemeral Image83 cited
  • 2002One Place after Another83 cited
  • 2013Envisioning Dance on Film and Video82 cited
  • 2012Screendance62 cited
  • 2011Dancefilm: Choreography and the Moving Image54 cited
  • 2003Dance on Screen: Genres and Media from Hollywood to Experimental Art49 cited
  • 2003New Technologies At Work : People, Screens and Social Virtuality48 cited
  • 2010Site dance: choreographers and the lure of alternative spaces48 cited
  • 2004Reinventing dance in the 1960s: everything was possible44 cited
  • 2002Dance on screen: genres and media from Hollywood to experimental art40 cited
  • 2012Site-specific Performance and the Mobility Turn30 cited

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