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Opera in Paris from Campra to Rameau
16 references·0 citing·23 second hop
Opera in Paris from Campra to Rameau (2009)Opera in Paris from Campra to RameauFrench Baroque Opera: A Reader (2017)French Baroque Opera: A ReaderThe birth of the orchestra: history of an institution, 1650-1815 (2005)The birth of the orchestra: h…The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 (2005)The ‘Cabale du Dauphin’, Camp…The Birth of the Orchestra (2004)The Birth of the OrchestraSTAGING AND ITS DRAMATIC EFFECT IN FRENCH BAROQUE OPERA: EVIDENCE FROM PROMPT NOTES (2004)STAGING AND ITS DRAMATIC EFFE…Music in European Capitals: The Galant Style, 1720-1780 (2003)Music in European Capitals: T…Carnival in Venice or Protest in Paris? Louis XIV and the Politics of Subversion at the Paris Opéra (2001)Carnival in Venice or Protest…Musical setting and scenic movement: chorus and chœur dansé in eighteenth-century Parisian Opéra (2000)Musical setting and scenic mo…Monstrous Opera (1998)Monstrous OperaFrench Baroque music from Beaujoyeulx to Rameau (1998)French Baroque music from Bea…Opera and the Enlightenment (1996)Opera and the EnlightenmentOf women, sex and folly: Opera under the Old Regime (1994)Of women, sex and folly: Oper…Jean-Baptiste Lully and the Music of the French Baroque: Essays in Honor of James R. Anthony (1991)Jean-Baptiste Lully and the M…Farce and Fantasy: Popular Entertainment in Eighteenth-Century Paris (1987)Farce and Fantasy: Popular En…La musique ancienne in the Waning of the Ancien Régime (1984)La musique ancienne in the Wa…Jean-Philippe Rameau: his life and work, (1969)Jean-Philippe Rameau: his lif…Patrons and Pasquinades: Rameau in the 1730s (1988)Music, Modernity, and God (2013)The Cambridge Companion to French Music (2015)The Orchestration of Civil Society: Community and Conscience in Symphony Orchestras (2011)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Improvised Ornamentation in Eighteenth-Century Orchestras (1986)Redefining the Status of Opera: London and Leipzig, 1800–1848 (2005)Interpreting the Musical Past (2008)Writing about Popular Music (2019)Opera in the Age of Rousseau: Music, Confrontation, Realism (2012)The Renaissance (2015)M eyer's Anvil: Revisiting the Schema Concept (2012)The Cambridge History of Music Criticism (2019)Breeches and Breaches: Cross-Dress Theater and the Culture of Gender Ambiguity in Modern France (1996)From Demon Possession to Magic Show: Ventriloquism, Religion, and the Enlightenment (1998)Anatomists and Entrepreneurs in Early Eighteenth-Century London (2004)The End of Early Music (2007)The orchestral revolution: Haydn and the technologies of timbre (2013)Toward a New Organology: Instruments of Music and Science (2013)‘Too much music’: the media of opera (2012)Opera and modes of theatrical production (2012)The operatic event: opera houses and opera audiences (2012)
this work references cited by second hop

References

  • 2003Music in European Capitals: The Galant Style, 1720-1780232 cited
  • 2004The Birth of the Orchestra181 cited
  • 2005The birth of the orchestra: history of an institution, 1650-1815119 cited
  • 1998French Baroque music from Beaujoyeulx to Rameau116 cited
  • 1991Jean-Baptiste Lully and the Music of the French Baroque: Essays in Honor of James R. Anthony90 cited
  • 1984La musique ancienne in the Waning of the Ancien Régime80 cited
  • 1969Jean-Philippe Rameau: his life and work,78 cited
  • 1987Farce and Fantasy: Popular Entertainment in Eighteenth-Century Paris73 cited
  • 1996Opera and the Enlightenment49 cited
  • 1998Monstrous Opera47 cited
  • 2017French Baroque Opera: A Reader44 cited
  • 2001Carnival in Venice or Protest in Paris? Louis XIV and the Politics of Subversion at the Paris Opéra37 cited
  • 1994Of women, sex and folly: Opera under the Old Regime37 cited
  • 2000Musical setting and scenic movement: chorus and chœur dansé in eighteenth-century Parisian Opéra35 cited
  • 2005The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 170033 cited

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2004
STAGING AND ITS DRAMATIC EFFECT IN FRENCH BAROQUE OPERA: EVIDENCE FROM PROMPT NOTES
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