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TV Drama in Transition
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TV Drama in Transition (1997)TV Drama in TransitionStylistic convergences between British film and American television: Andrew Haigh’s Looking (2018)Stylistic convergences betwee…Returning to an old question (2016)Returning to an old questionIsraeli drama: constructing the Israeli ‘quality’ television series as an art form (2014)Israeli drama: constructing t…Lifestyles, gratifications sought, and narrative appeal: American and Korean TV drama viewing among Internet users in urban China (2012)Lifestyles, gratifications so…A return to form? Postmasculinist television drama and tragic heroes in the wake ofThe Sopranos (2012)A return to form? Postmasculi…The “Feminization” of British Television and the Re-Traditionalization of Gender (2011)The “Feminization” of British…Character, audience agency and transmedia drama (2008)Character, audience agency an…FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF (2007)FROM THE BOX IN THE CORNER TO…Alternate reality gaming and convergence culture (2007)Alternate reality gaming and …The Cambridge History of Twentieth-Century English Literature (2005)The Cambridge History of Twen…Literature and cinema (2005)Literature and cinemaEXEMPLARITY, PEDAGOGY AND TELEVISION HISTORY (2005)EXEMPLARITY, PEDAGOGY AND TEL…News as Aristotelian Drama: The Case of 60 Minutes (2003)News as Aristotelian Drama: T…`Taking our personal lives seriously': intimacy, continuity and memory in the television drama serial (2001)`Taking our personal lives se…Mental Illness Depictions in Prime-Time Drama: Identifying the Discursive Resources (1999)Mental Illness Depictions in …Constructing Mental Illness as Dangerous: A Pilot Study (1999)Constructing Mental Illness a…Imperial Eyes (1900)Sister Outsider: Essays and Speeches (1984)Life on the Screen: Identity in the Age of the Internet (1997)An imaginary England: Nation, landscape and literature (2007)Reading the Ruins: Modernism, Bombsites and British Culture (2011)The Modern Synthesis: Genetics and Dystopia in the Huxley Circle (2016)Television: Technology and Cultural Form (1974)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)Science fiction audiences: watching Doctor Who and Star Trek. (1995)Television Drama (2000)The Intimate Screen (2000)Scripted Spaces (2011)WORKER BLOWBACK: (2011)Book Review Nisbett, R. , & Ross, L.Human inference: Strategies and shortcomings of social judgment.Englewood Cliffs, N.J.: Prentice-Hall, 1980. (1982)Discourse and Social Psychology: Beyond Attitudes and Behaviour (1987)Discourse and Social Change. (1993)Stigma and the Daily News: Evaluation of a Newspaper Intervention (2003)People Never See Us Living Well: An Appraisal of the Personal Stories About Mental Illness in a Prospective Print Media Sample (2005)Perception of stigma toward mental illness in South India (2015)The New Zealand Medical Journal 1887-1987. (1987)Media portrayals of mental illness, or is it madness? A review (2007)The Logic of Practice (1990)The Field of Cultural Production (1994)The Work of Art in the Age of Mechanical Reproduction (2007)Trends in Cultural Journalism (2016)Justifying Trash: Regulating Reality TV in Israel (2017)Fauda television series and the turning of asymmetrical conflict into television entertainment (2019)Textual poachers : television fans & participatory culture (1992)Mediatized tourism (2011)Alternate Reality Games as Platforms for Practicing 21st-Century Literacies (2012)Engaging online students through the gamification of learning materials: The present and the future. (2013)Image-Music-Text (1977)Watching Dallas: Soap Opera and the Melodramatic Imagination (1985)Narrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Getting Generation Y to attend: Friends, interactivity and half-time entertainment (2011)Live co-produced news: emerging forms of news production and presentation on the web (2013)El relato por otros medios: ¿un giro transmediático? (2014)The uses of mass communications : current perspectives on gratifications research (1975)Being Digital (1995)Harnessing peer potency: Predicting positive outcomes from social capital affinity and online engagement with participatory websites (2014)Extending the theory of planned behavior: A study of lifestyles, contextual factors, mobile viewing habits, TV content interest, and intention to adopt mobile TV (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Reading European football, critiquing China: Chinese urban middle class fans as reflexive audience (2019)Television: Technology and Cultural Form (1978)Visible Fictions: Cinema: Television: Video (1982)Dialogism. Bakhtin and His World (1993)Extraordinary Experience: Re-enacting and Photographing at Screen Tourism Locations (2010)Audience involvement and film tourism experiences: Emotional places, emotional experiences (2011)The Effect of Film Nostalgia on Involvement, Familiarity, and Behavioral Intentions (2017)
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  • 1999Mental Illness Depictions in Prime-Time Drama: Identifying the Discursive Resources103 cited
  • 2005The Cambridge History of Twentieth-Century English Literature97 cited
  • 2007FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF85 cited
  • 2001`Taking our personal lives seriously': intimacy, continuity and memory in the television drama serial60 cited
  • 2008Character, audience agency and transmedia drama58 cited
  • 1999Constructing Mental Illness as Dangerous: A Pilot Study57 cited
  • 2007Alternate reality gaming and convergence culture55 cited
  • 2012Lifestyles, gratifications sought, and narrative appeal: American and Korean TV drama viewing among Internet users in urban China52 cited
  • 2005EXEMPLARITY, PEDAGOGY AND TELEVISION HISTORY33 cited
  • 2014Israeli drama: constructing the Israeli ‘quality’ television series as an art form27 cited
  • 2011The “Feminization” of British Television and the Re-Traditionalization of Gender19 cited
  • 2005Literature and cinema18 cited
  • 2003News as Aristotelian Drama: The Case of 60 Minutes17 cited
  • 2018Stylistic convergences between British film and American television: Andrew Haigh’s Looking16 cited

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  • 2016Returning to an old question15 cited
  • 2012A return to form? Postmasculinist television drama and tragic heroes in the wake ofThe Sopranos15 cited