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Cited by

• 1994‘Empathic understanding’: emotion and cognition in classical dramatic audience-response82 cited
• 2001The Fragility of Healing62 cited
• 2002Theatricality: From Oral Traditions to Televised "Realities"54 cited
• 2001Emotion and sincerity in Persian discourse: accomplishing the representation of inner states53 cited
• 2010Intercultural interaction and "situational places": a perspective for urban cultural geography within and beyond the performative turn22 cited
• 2010The interface between arts practice and research: attitudes and perceptions of Australian artist‐academics14 cited
• 2008Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film12 cited
• 2015Empathy as a Tool for Embodiment Processes in Vocal Performance11 cited
• 2002Wilderness Theatre: Environmental Tourism and Cajun Swamp Tours9 cited
• 2024The Performance Hypothesis Practicing Emotions in Protected Frames9 cited
• 2015System alignment and consensus discourses in reforms: School Effectiveness Frameworks and Instructional Rounds . Philosophical responses with Oakeshott, Mouffe and Rancière9 cited
• 2002The sound of meaning: theories of voice in twentieth-century thought and performance7 cited
• 2010Playing Out: Women Instrumentalists and Women's Ensembles in Contemporary Tunisia.