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Some Thoughts on the Work in Popular Music
0 references·10 citing·31 second hop
Some Thoughts on the Work in Popular Music (2000)Some Thoughts on the Work in Popular MusicSolitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach (2024)Solitary Listening, Copyright…Popular Song Afterlives (2019)Popular Song AfterlivesJazz and Musical Works: Hypnotized by the Wrong Model (2018)Jazz and Musical Works: Hypno…The Work of Authorship (2014)The Work of AuthorshipCreativity, autonomy and personal touch. A critical appraisal of the CJEU’s originality test for copyright (2014)Creativity, autonomy and pers…Œuvres musicales, reprises et Strange Little Girls (2010)Œuvres musicales, reprises et…Musical Works, Cover Versions and Strange Little Girls (2010)Musical Works, Cover Versions…MOSTLY THA VOICE? ZUM VERHÄLTNIS VON BEAT, SOUND UND STIMME IM HIPHOP (2009)MOSTLY THA VOICE? ZUM VERHÄLT…Die Stimme im HipHop (2009)Die Stimme im HipHopIntroduction: Harmony or Dissonance? Copyright Concepts and Musical Practice (2006)Introduction: Harmony or Diss…Little Science, Big Science (1963)Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)AUTHORSHIP OF POPULAR MUSIC IN UK COPYRIGHT LAW (2009)COPYRIGHT, CONTRACTS AND MUSIC PRODUCTION (2009)A Critique of the Ontology of Intellectual Property Law (2021)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Rhythm and Noise: An Aesthetics of Rock (1999)The Poetics of RockCutting Tracks, Making Records (2001)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Work-in-(g) Practice: Configurations of the Popular Music Intertext (2000)The poetics of rock: cutting tracks, making records (2002)The Black Atlantic: Modernity and Double Consciousness (1994)Performing rites: on the value of popular music (1997)Visions of Jazz: The First Century (1998)Musical Works and Performances (2001)Choreography Invisible (2020)Musical Videos as Works: Documenting Audiovisual Jazz Practices in Social Media Communities (2021)Popular Culture in Early Modern Europe (1979)The imaginary museum of musical works: an essay in the philosophy of music (1993)Thinking in Jazz: The Infinite Art of Improvisation (1995)African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms (1980)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Airshafts, Loudspeakers, and the Hip Hop Sample: Contexts and African American Musical Aesthetics (2004)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Discourse Analysis as Theory and Method (2002)Logics of Critical Explanation in Social and Political Theory (2007)The Cambridge Handbook of Literary Authorship (2019)
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Cited by

  • 2014The Work of Authorship46 cited
  • 2006Introduction: Harmony or Dissonance? Copyright Concepts and Musical Practice36 cited
  • 2018Jazz and Musical Works: Hypnotized by the Wrong Model11 cited
  • 2014Creativity, autonomy and personal touch. A critical appraisal of the CJEU’s originality test for copyright10 cited
  • 2010Œuvres musicales, reprises et Strange Little Girls6 cited
  • 2024Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach3 cited
  • 2019Popular Song Afterlives3 cited
  • 2009MOSTLY THA VOICE? ZUM VERHÄLTNIS VON BEAT, SOUND UND STIMME IM HIPHOP2 cited
  • 2010Musical Works, Cover Versions and Strange Little Girls2 cited
  • 2009Die Stimme im HipHop2 cited

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