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Thoughts on Klumpenhouwer Networks and Mathematical Models
6 references·2 citing·32 second hop
Thoughts on Klumpenhouwer Networks and Mathematical Models (2007)Thoughts on Klumpenhouwer Networks and Ma…Reconsidering Klumpenhouwer Networks (2007)Reconsidering Klumpenhouwer N…Cross-Type Transformations and the Path Consistency Condition (2007)Cross-Type Transformations an…Where Mathematics Comes From: How the Embodied Mind Brings Mathematics into Being (2002)Where Mathematics Comes From:…Klumpenhouwer Networks, Trichords, and Axial Isography (2002)Klumpenhouwer Networks, Trich…Isographies and Some Klumpenhouwer Networks They Involve (2002)Isographies and Some Klumpenh…Klumpenhouwer Networks and Some Isographies That Involve Them (1990)Klumpenhouwer Networks and So…Groupoids and Wreath Products of Musical Transformations: A Categorical Approach from poly-Klumpenhouwer Networks (2019)Groupoids and Wreath Products…Models and Music Theory (2011)Models and Music TheoryModels and Analogies in Science (1965)The Principles of Scientific Thinking (1970)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)A Tonnetz model for pentachords (2013)The expression of the emotions in man and animals. (1872)Judgment under Uncertainty: Heuristics and Biases (1975)The Modularity of Mind. (1985)With the Future Behind Them: Convergent Evidence From Aymara Language and Gesture in the Crosslinguistic Comparison of Spatial Construals of Time (2006)A Method for Linguistic Metaphor Identification (2010)On the Opportunities and Risks of Foundation Models (2021)Perspectives of New Music (1963)Generalized Musical Intervals and Transformations (1988)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)S cale T heory , S erial T heory and V oice L eading (2008)Tonality and transformation (2012)Transformational Analysis and the Representation of Genius in Film Music (2013)The Structure of Atonal Music (1973)Composition With Pitch-Classes (1987)Recasting K-nets (2007)Music Theory through the Lens of Film (2013)Sound and semantics: topics in the music of Arnold Schoenberg (2013)Transformational Techniques in Atonal and Other Music Theories (1982)Uniform Triadic Transformations (2002)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Riemannian Analytical Values, Paleo- and Neo- (2012)K-nets and Hierarchical Structural Recursion (2007)Transformational Aspects of Arvo Pärt's Tintinnabuli Music (2011)An Aspect of Functional Harmony in Schoenberg's Early Post‐Tonal Music (2013)Voice-Leading Spaces (1998)Diagrams, gestures and formulae in music (2007)Tonality (2023)
this work references cited by second hop

References

  • 2002Where Mathematics Comes From: How the Embodied Mind Brings Mathematics into Being1,444 cited
  • 1990Klumpenhouwer Networks and Some Isographies That Involve Them91 cited
  • 2007Cross-Type Transformations and the Path Consistency Condition66 cited
  • 2002Isographies and Some Klumpenhouwer Networks They Involve52 cited
  • 2007Reconsidering Klumpenhouwer Networks21 cited
  • 2002Klumpenhouwer Networks, Trichords, and Axial Isography18 cited

Cited by

  • 2019Groupoids and Wreath Products of Musical Transformations: A Categorical Approach from poly-Klumpenhouwer Networks4 cited
  • 2011Models and Music Theory3 cited

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