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Displaying death and animating life human-animal relations in art, science, and everyday life
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Displaying death and animating life human-animal relations in art, science, and everyday lifeDisplaying death and animating life human…The Multispecies Metropolis: Anthropological Ruminations on Bestial Urbanism (2024)The Multispecies Metropolis: …(Nie)żywe obrazy. Widmowość i cielesność filmowych zwierząt (2020)(Nie)żywe obrazy. Widmowość i…Vivacious Remains: An Afterword on Taxidermy’s Forms, Fictions, Facticity, and Futures (2019)Vivacious Remains: An Afterwo…The Endling Taxidermy of Lonesome George: Iconographies of Extinction at the End of the Line (2019)The Endling Taxidermy of Lone…Introduction: Taxidermic Forms and Fictions (2019)Introduction: Taxidermic Form…The Postmodern Animal (2000)The matter and meaning of museum taxidermy (2008)The Afterlives of animals: a museum menagerie (2012)Vision and visuality (1988)What do pictures want?: the lives and loves of images (2006)Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936 (2019)Hidden Stories of Extinction: Hawaiian ʻAhuʻula Feather Capes as Biocultural Artefacts (2022)In Search of Lost Snails (2022)Keywords: A Vocabulary of Culture and Society (1977)Primate nation: the (after)lives of iconic creatures in American space science (2021)The Third Eye (1996)Electric Animal: Toward a Rhetoric of Wildlife (2000)Creaturely Poetics: Animality and Vulnerability in Literature and Film (2011)Dilemmas in a general theory of planning (1973)The reflective practitioner: How professionals think in action (1984)We Have Never Been Modern (1994)
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  • 2019The Endling Taxidermy of Lonesome George: Iconographies of Extinction at the End of the Line11 cited
  • 2024The Multispecies Metropolis: Anthropological Ruminations on Bestial Urbanism7 cited
  • 2020(Nie)żywe obrazy. Widmowość i cielesność filmowych zwierząt6 cited
  • 2019Vivacious Remains: An Afterword on Taxidermy’s Forms, Fictions, Facticity, and Futures5 cited
  • 2019Introduction: Taxidermic Forms and Fictions2 cited

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