The image in dispute : art and cinema in the age of photography

Abstract

* A Preface to Disputation (Dudley Andrew) * I. What Did Walter Benjamin See? Image Cultures, 1890-1933 * Introduction (Dudley Andrew) * Beauty's Veils: Ambivalent Iconoclasm of Kierkegaard and Benjamin (John Durham Peters) * Jules, Jim, and Walter Benjamin (Dudley Andrew) * Women on the Screens and Streets of Modernity: In Search of the Female Flaneur (Anke Gleber) * Fair View: Female Spectators and the 1893 Chicago World's Columbian Exposition (Lauren Rabinovitz) * Faces of Weimar Germany (Sabine Hake) * II. Traditional Arts and the Shock of This Century's Image * Introduction (Dudley Andrew) * Cubist Image and the Image of Cubism (Jennifer Pap) * Pop Art/Pop Culture: Neo-Dada and the Politics of Plenty (Estera Milman) *(Re)Imaging the Grotesque: Francis Bacon's Crucifixion Triptychs (Robert Newman) * III. Vision and Interpretation after Photography * Introduction (Dudley Andrew) * Variable Eye, or the Mobilization of the Gaze (Jacques Aumont, translated by Charles O'Brien and Sally Shafto) * End of Cinema? An Afterword to Jacques Aumont's The Variable Eye (Charles O'Brien) * From the Captured Moment to the Cinematic Image: A Transformation in Pictorial Order (James Lastra) * Snapshots: Beginnings of Photography (Robert B. Ray) * Immediate History: Videotape Interventions and Narrative Film (Timothy Corrigan) * About the Contributors

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