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The purpose of this study is to determine whether a fine-grained analysis of variation in the macropod motif across the Sydney region demonstrates similar or different patterns when compared with previous stylistic studies of the area. Here we discuss the figurative representation of the macropod motif. We discuss the syntax of the rock art using concepts of conventions, language and symbols to interpret macropod stylistic representation. We show how a fine-grained assessment of both frequencies of design elements and measurements of shape complements previous regional stylistic studies by demonstrating how stylistic regions are multilayered and not definite. The paper suggests new stylistic zones that future work can test, and demonstrates that these zones do not correspond simply with one widely used reconstruction of language distributions.
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.