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This is a study of John Milton and Julian the Apostate, last of the pagan emperors. It follows two trajectories. The first takes as its subject Julian’s “School Edict” of 362 AD, which barred Christians from traditional classical education; while the second concerns a literary text by Julian himself, the Misopogon or “Beard-Hater,” in which he ironically attacked his own aversion to Antiochene Christianity, including the performance of plays. These discussions offer an opportunity to re-examine Milton’s comments on early Christian views of drama, as well as his own drafts for sacred dramas. All these discussions turn on the question of how the Christian is to approach pagan literature, one of the oldest intellectual debates within Christianity. I argue that Milton’s attitude to Greek literature as an entire process was shaped by his attitude to this specific debate, and that this can be seen afresh by viewing it through the eyes of its most powerful critic in antiquity, Julian the Apostate. I also furnish an account of the early-modern editorial tradition of Julian.
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