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"Localize It": Rock, Cosmopolitanism, and the Nation in Trinidad
16 references·1 citing·33 second hop
"Localize It": Rock, Cosmopolitanism, and the Nation in Trinidad (2007)"Localize It": Rock, Cosmopolitanism, and…Tango and the Political Economy of Passion (2018)Tango and the Political Econo…“Mek Some Noise”Gospel Music and the Ethics of Style in Trinidad (2007)“Mek Some Noise”Gospel Music …Mobilizing India: Women, Music, and Migration between India and Trinidad (2006)Mobilizing India: Women, Musi…Cosmopolitanism: Ethics in a World of Strangers (2006)Cosmopolitanism: Ethics in a …Right to rock (2004)Right to rockCallaloo or Tossed Salad?: East Indians and the Cultural Politics of Identity in Trinidad (2003)Callaloo or Tossed Salad?: Ea…Noisy spaces : popular music consumption, social fragmentation, and the cultural politics of globalization in Trinidad (2001)Noisy spaces : popular music …East Indian Music in the West Indies: Tan-Singing, Chutney, and the Making of Indo-Caribbean Culture. By Peter Manuel. Philadelphia: Temple University Press, 2000. 252 pp., with a Compact Disc. $89.50 (cloth); $29.95 (paper). (2001)East Indian Music in the West…Music and the racial imagination (2000)Music and the racial imaginat…Caribbean Romances: The Politics of Regional Representation (2000)Caribbean Romances: The Polit…"Roots Explosion": Indigenization and Cosmopolitanism in Contemporary Surinamese Popular Music (1999)"Roots Explosion": Indigeniza…The Steelband Movement: The Forging of a National Art in Trinidad and Tobago (1998)The Steelband Movement: The F…Nationalizing blackness: Afrocubanismo and artistic revolution in Havana, 1920-1940 (1998)Nationalizing blackness: Afro…Pathways to Power: Indians and the Politics of National Unity in Trinidad and Tobago (1996)Pathways to Power: Indians an…Judging "By the Beat": Calypso versus Soca (1996)Judging "By the Beat": Calyps…Zouk: World Music in the West Indies (1994)Zouk: World Music in the West…IT SOUNDS BETTER IN THE BAHAMAS (2019)IT SOUNDS BETTER IN THE BAHAM…African Religions and Philosophy (1969)Participatory Discrepancies and the Power of Music (1987)The Theory of Participatory Discrepancies: A Progress Report (1995)Performing Gender in the Trinidad Calypso (2004)Bourdieu, Language and the Media (2010)Rhythms of the Afro-Atlantic world: rituals and remembrances (2011)Copyright Heritage: Preservation, Carnival and the State in Trinidad (2002)Audible Entanglements: Nation and Diasporas in Trinidad's Calypso Music Scene (2005)Theorizing world culture through the New World: East Indians and creolization (2006)Choreographies of Gender (1998)Politics of Touch: Sense, Movement, Sovereignty (2006)National Identity, Popular Culture and Everyday Life (2020)Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba (2003)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Racial politics in post-revolutionary Cuba (2006)Rethinking Global and Area Studies: Insights from Caribbeanist Anthropology (2003)Good to Think? (2007)SLIPPERY SEMANTICS: RACE TALK AND EVERYDAY USES OF RACIAL TERMINOLOGY IN PUERTO RICO (2008)Research on Globalization and Education (2008)After Unipolarity: China's Visions of International Order in an Era of U.S. Decline (2011)Global Citizenship: A Typology for Distinguishing its Multiple Conceptions (2013)Interpreting world music: a challenge in theory and practice (1997)The Anthropology of Afro-Latin America and the Caribbean: Diasporic Dimensions (2001)Transnational Archipelago : Perspectives on Cape Verdean Migration and Diaspora (2008)“The Largest Gathering of the Global Indian Family”: Neoliberalism, Nationalism, and Diaspora at Pravasi Bharatiya Divas (2005)‘THE TURBAN IS NOT A HAT’: QUEER DIASPORA AND PRACTICES OF PROFILING (2008)Geopolitics and the Anglophone Novel, 1890–2011 (2012)Music and the Global Order (2004)Why does country music sound white? Race and the voice of nostalgia (2007)Race and the Yugoslav region (2018)Anthropologies of the United States (2010)Sentiments of Disdain and Practices of Distinction: Boundary-Work, Subjectivity, and Value in the Hindi Film Industry (2012)Fields, Genres, Brands (2014)
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References

  • 2006Cosmopolitanism: Ethics in a World of Strangers2,797 cited
  • 2000Music and the racial imagination629 cited
  • 2018Tango and the Political Economy of Passion292 cited
  • 1998Nationalizing blackness: Afrocubanismo and artistic revolution in Havana, 1920-1940228 cited
  • 2006Mobilizing India: Women, Music, and Migration between India and Trinidad184 cited
  • 2000Caribbean Romances: The Politics of Regional Representation144 cited
  • 1994Zouk: World Music in the West Indies113 cited
  • 2003Callaloo or Tossed Salad?: East Indians and the Cultural Politics of Identity in Trinidad95 cited
  • 1996Judging "By the Beat": Calypso versus Soca69 cited
  • 2004Right to rock54 cited
  • 1999"Roots Explosion": Indigenization and Cosmopolitanism in Contemporary Surinamese Popular Music52 cited
  • 1998The Steelband Movement: The Forging of a National Art in Trinidad and Tobago52 cited
  • 2007“Mek Some Noise”Gospel Music and the Ethics of Style in Trinidad49 cited
  • 1996Pathways to Power: Indians and the Politics of National Unity in Trinidad and Tobago38 cited
  • 2001East Indian Music in the West Indies: Tan-Singing, Chutney, and the Making of Indo-Caribbean Culture. By Peter Manuel. Philadelphia: Temple University Press, 2000. 252 pp., with a Compact Disc. $89.50 (cloth); $29.95 (paper).

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23 cited
  • 2001Noisy spaces : popular music consumption, social fragmentation, and the cultural politics of globalization in Trinidad15 cited
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    • 2019IT SOUNDS BETTER IN THE BAHAMAS9 cited