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The Cat in the Courtyard: The Performance of Sanskrit and the Religious Experience of Women
11 references·0 citing·25 second hop
The Cat in the Courtyard: The Performance of Sanskrit and the Religious Experience of Women (2007)The Cat in the Courtyard: The Performance…Jewels of Authority (2002)Jewels of AuthorityThe pandit : traditional scholarship in India (2001)The pandit : traditional scho…Deeply into the Bone (2000)Deeply into the BoneTales of Faith : Religion as Political Performance in Central Africa (1997)Tales of Faith : Religion as …La fiesta de los Tastoanes: critical encounters in Mexican festival performance (1997)La fiesta de los Tastoanes: c…Ideology and Status of Sanskrit (1996)Ideology and Status of Sanskr…Breath on the Mirror: Mythic Voices and Visions of the Living Maya (1995)Breath on the Mirror: Mythic …Poisoned Bread: Translations from Modern Marathi Dalit Literature (1992)Poisoned Bread: Translations …Taming the Wind of DesirePsychology, Medicine, and Aesthetics in Malay Shamanistic Performance (1991)Taming the Wind of DesirePsyc…Competence in Performance: The Creativity of Tradition in Mexicano Verbal Art (1990)Competence in Performance: Th…Native American Religious Action: A Performance Approach to Religion (1988)Native American Religious Act…Practice, Performance, and Experience in Ritual Healing (1998)Shari'a politics: Islamic law and society in the modern world (2012)The role of Indigenous knowledges in psychedelic science (2019)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)CONTEMPORARY TRANSFORMATIONS OF LOCAL LINGUISTIC COMMUNITIES (1998)The Language of Law School (2007)Cultural Logic and Maya Identity: Rethinking Constructivism and Essentialism [and Comments and Reply] (1999)the Tree of Life as a Research Methodology (2005)ANCIENT MAYA MOSAIC MIRRORS: FUNCTION, SYMBOLISM, AND MEANING (2011)The Power of Words: Healing Narratives among Lubavitcher Hasidim (2002)As formas africanas de auto-inscrição (2001)Limitations of civic service: critical perspectives (2006)Slavery, Memory and Religion in Southeastern Ghana, c. 1850–Present (2015)Mahar–Dalit–Buddhist (2011)Dalit: the making of a political subject (2014)What Is an Akshara? (2019)On the Limits of Life Stages in Ethnography: Toward a Theory of Vital Conjunctures (2002)What’s so ‘Dark’ about ‘Dark Tourism’?: Death, Tours, and Performance (2009)Reentry as a rite of passage (2011)Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman's Verbal Art from the Perspective of Gendered Subjectivity as Performance (2002)Turning Hegemony on its Head: The Insurgent Knowledge of Américo Paredes (2012)Children’s Management of Attention as Cultural Practice (2019)What makes people who they are? Pandit networks and the problem of livelihoods in early modern Western India (2008)Letters Home: Banaras pandits and the Maratha regions in early modern India (2009)Speaking from Siva's temple: Banaras scholar households and the Brahman ‘ecumene’ of Mughal India (2011)
this work references cited by second hop

References

  • 1990Competence in Performance: The Creativity of Tradition in Mexicano Verbal Art345 cited
  • 2000Deeply into the Bone148 cited
  • 1991Taming the Wind of DesirePsychology, Medicine, and Aesthetics in Malay Shamanistic Performance105 cited
  • 1992Poisoned Bread: Translations from Modern Marathi Dalit Literature93 cited
  • 1995Breath on the Mirror: Mythic Voices and Visions of the Living Maya56 cited
  • 1997Tales of Faith : Religion as Political Performance in Central Africa51 cited
  • 2001The pandit : traditional scholarship in India34 cited
  • 1996Ideology and Status of Sanskrit29 cited
  • 1997La fiesta de los Tastoanes: critical encounters in Mexican festival performance27 cited
  • 1988Native American Religious Action: A Performance Approach to Religion25 cited
  • 2002Jewels of Authority15 cited

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