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Listening, thinking and writing
16 references·1 citing·26 second hop
Listening, thinking and writing (2009)Listening, thinking and writingMusic in European Capitals: The Galant Style, 1720-1780 (2003)Music in European Capitals: T…Mozart in revolt: strategies of resistance, mischief and deception (1999)Mozart in revolt: strategies …German Music Criticism in the Late Eighteenth Century (1997)German Music Criticism in the…Music and Culture in Eighteenth-Century Europe: A Source Book (1996)Music and Culture in Eighteen…Rameau and Musical Thought in the Enlightenment (1994)Rameau and Musical Thought in…Wordless Rhetoric: Musical Form and the Metaphor of the Oration (1993)Wordless Rhetoric: Musical Fo…Wordless Rhetoric (1991)Wordless RhetoricThe discourse of the sublime: readings in history, aesthetics, and the subject (1990)The discourse of the sublime:…Haydn and the Enlightenment (1990)Haydn and the EnlightenmentMusic and Aesthetics in the Eighteenth and Early Nineteenth Centuries (1989)Music and Aesthetics in the E…Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries (1981)Music and Aesthetics in the E…Changing aesthetic views of instrumental music in 18th century Germany (1981)Changing aesthetic views of i…The Emergence of German as a Literary Language 1700–1775 (1960)The Emergence of German as a …A Treatise on the Fundamental Principles of Violin Playing (1952)A Treatise on the Fundamental…Source Readings in Music History (1950)Source Readings in Music Hist…A Treatise on the Fundamental Principles of Violin Playing (1948)A Treatise on the Fundamental…Disquieting Conversations: Bach, Modernity, and God (2013)Disquieting Conversations: Ba…Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)The orchestral revolution: Haydn and the technologies of timbre (2013)Improvised Ornamentation in Eighteenth-Century Orchestras (1986)The Prosodic Appoggiatura in the Music of Mozart and His Contemporaries (1989)The Evolution of Imitative Learning (1996)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Music Theory, Phenomenology, and Modes of Perception (1986)The End of Early Music (2007)M eyer's Anvil: Revisiting the Schema Concept (2012)Vocal performance in the seventeenth century (2012)The Cambridge History of Music Criticism (2019)"If the Pretty Little Hand Won't Stretch": Music for the Fair Sex in Eighteenth-Century Germany (1999)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)HAYDN’S MELANCHOLY VOICE: LOST DIALECTICS IN HIS LATE CHAMBER MUSIC AND ENGLISH SONGS (2007)Antithetical Arts (2009)Cherubini and the Revolutionary Sublime (2012)The Viennese symphony 1750 to 1827 (2013)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Toward an Ecological Sublime (1999)Eighteenth-century women poets (2005)The Emergence of Irish Gothic Fiction (2014)
this work references cited by second hop

References

  • 1950Source Readings in Music History307 cited
  • 2003Music in European Capitals: The Galant Style, 1720-1780232 cited
  • 1990The discourse of the sublime: readings in history, aesthetics, and the subject232 cited
  • 1991Wordless Rhetoric226 cited
  • 1994Rameau and Musical Thought in the Enlightenment213 cited
  • 1997German Music Criticism in the Late Eighteenth Century179 cited
  • 1993Wordless Rhetoric: Musical Form and the Metaphor of the Oration172 cited
  • 1948A Treatise on the Fundamental Principles of Violin Playing143 cited
  • 1981Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries128 cited
  • 1990Haydn and the Enlightenment123 cited
  • 1999Mozart in revolt: strategies of resistance, mischief and deception108 cited
  • 1960The Emergence of German as a Literary Language 1700–177593 cited
  • 1952A Treatise on the Fundamental Principles of Violin Playing71 cited
  • 1981Changing aesthetic views of instrumental music in 18th century Germany66 cited
  • 1989Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries61 cited
  • 1996Music and Culture in Eighteenth-Century Europe: A Source Book

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  • 2013Disquieting Conversations: Bach, Modernity, and God17 cited