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Race and the aesthetics of vocal timbre
16 references·6 citing·34 second hop
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this work references cited by second hop

References

  • 1996Discipline and Punish: The Birth of the Prison.15,361 cited
  • 1983Time and the Other: How Anthropology Makes Its Object6,775 cited
  • 1989Talking Back: Thinking Feminist – Thinking Black3,167 cited
  • 1933The Mis-Education of the Negro1,060 cited
  • 2010Sonic warfare: sound, affect, and the ecology of fear919 cited
  • 2011Foundations of voice studies an interdisciplinary approach to voice production and perception277 cited
  • 2010Deadness: Technologies of the Intermundane228 cited
  • 1968Singing: The Mechanism and the Technic227 cited
  • 2006The mp3 as cultural artifact205 cited
  • 1992Gender roles: A handbook of tests and measures176 cited
  • 2011Marian Anderson and “Sonic Blackness” in American Opera161 cited
  • 1990Gender Roles154 cited
  • 1998Vocal Authority126 cited
  • 2008French Colonial Documentary: Mythologies of Humanitarianism119 cited
  • 2002Vocal Authority. Singing Style and Ideology72 cited
  • 1994Readings in the History of Music in Performance70 cited

Cited by

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  • 2014The Micropolitics of Listening to Vocal Timbre82 cited
  • 2022Biometric imaginaries: Formatting voice, body, identity to data26 cited
  • 2017Dark timbre: the aesthetics of tone colour in goth music8 cited
  • 2023Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren’s New Poetry Collection5 cited
  • 2018The Matter of Timbre5 cited
  • 2020Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins4 cited