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Sensible Natures: Allart Van Everdingen and the Tradition of Sublime Landscape in Seventeenth-Century Dutch Painting
13 references·1 citing·25 second hop
Sensible Natures: Allart Van Everdingen and the Tradition of Sublime Landscape in Seventeenth-Century Dutch Painting (2016)Sensible Natures: Allart Van Everdingen a…Sublime Worlds: Early Modern French Literature (2008)Sublime Worlds: Early Modern …Lucretius and the sublime (2007)Lucretius and the sublimePeasant scenes and landscapes: the rise of pictorial genres in the Antwerp art market (2006)Peasant scenes and landscapes…Poetry and Politics in the English Renaissance (2002)Poetry and Politics in the En…Dutch Classicism in Seventeenth-Century Painting (2000)Dutch Classicism in Seventeen…Writing the English Republic: poetry, rhetoric, and politics, 1627-1660 (1999)Writing the English Republic:…Writing the English Republic: Poetry, Rhetoric and Politics 1627-1660 (1998)Writing the English Republic:…Printed Commonplace-Books and the Structuring of Renaissance Thought (1996)Printed Commonplace-Books and…Tempest and shipwreck in Dutch and Flemish art: convention, rhetoric, and interpretation (1989)Tempest and shipwreck in Dutc…Notities betreffende de decoratie van de Oranjezaal in Huis Ten Bosch (1982)Notities betreffende de decor…De Groote Schouburgh Der Nederlantsche Konstschilders En Schilderessen (1976)De Groote Schouburgh Der Nede…Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition 1350-1450 (1973)Giotto and the Orators: Human…Translations and Commentaries of Longinus, "On the Sublime", to 1600: A Bibliography (1950)Translations and Commentaries…On the Expression of Emotions in Rembrandt’s Art (2016)On the Expression of Emotions…The Cambridge History of Medieval English Literature (1999)The Cambridge History of the Book in Britain (2002)Literature and London (2003)Was art really the ‘book of the illiterate’? (1989)The Cambridge History of the English Language (2000)The Cambridge History of Literary Criticism (2005)Lucan and the Sublime: Power, Representation and Aesthetic Experience (2013)The Theory of the Sublime from Longinus to Kant (2015)Auguste Comte and Positivism (2019)Horace in the sixteenth century: commentators into critics (1999)Humanist classifications of poetry among the arts and sciences (1999)Translatioand translation in the Renaissance: from Italy to France (1999)In His Milieu : Essays on Netherlandish Art in Memory of John Michael Montias (2007)Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources (2017)Antoni van Leeuwenhoek, His Images and Draughtsmen (2019)Rethinking the Public Sphere in Early Modern England (2006)Sublime monuments and sublime ruins in ancient aesthetics (2011)On the Sauce: Cratinus, Cyclopean Poetics, and the Roiling Sea of Epic (2014)Cosmic Choruses (2019)The Greek Tradition in Republican Thought (2004)The Other Virgil (2007)The Cambridge History of the Book in Britain (1999)Elizabethan Rhetoric (2002)Pictures of Debauchery: Profane Images of the Prodigal Son's Revels in Seventeenth-Century Dutch Paintings (2011)Disaster and Discord: Romeyn de Hooghe and the Dutch State of Ruination in 1675 (2020)
this work references cited by second hop

References

  • 1996Printed Commonplace-Books and the Structuring of Renaissance Thought752 cited
  • 2002Poetry and Politics in the English Renaissance430 cited
  • 1973Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition 1350-1450388 cited
  • 1999Writing the English Republic: poetry, rhetoric, and politics, 1627-1660363 cited
  • 2008Sublime Worlds: Early Modern French Literature209 cited
  • 1998Writing the English Republic: Poetry, Rhetoric and Politics 1627-1660188 cited
  • 1950Translations and Commentaries of Longinus, "On the Sublime", to 1600: A Bibliography94 cited
  • 1976De Groote Schouburgh Der Nederlantsche Konstschilders En Schilderessen79 cited
  • 2007Lucretius and the sublime79 cited
  • 1989Tempest and shipwreck in Dutch and Flemish art: convention, rhetoric, and interpretation15 cited
  • 2006Peasant scenes and landscapes: the rise of pictorial genres in the Antwerp art market14 cited
  • 1982Notities betreffende de decoratie van de Oranjezaal in Huis Ten Bosch5 cited
  • 2000Dutch Classicism in Seventeenth-Century Painting5 cited

Cited by

  • 2016On the Expression of Emotions in Rembrandt’s Art2 cited

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