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Different drummers: jazz in the culture of Nazi Germany
0 references·16 citing·52 second hop
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  • 2012Discourses of unity and purpose in the sounds of fascist music: a multimodal approach73 cited
  • 1997The White Man’s Muscles56 cited
  • 2007Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences48 cited
  • 2004Innovation and the avant-garde, 1900–2037 cited
  • 2015The Cambridge Companion to Jewish Music34 cited
  • 2004Music of seriousness and commitment: the 1930s and beyond31 cited
  • 2010A many-headed beast: progressive rock as European meta-genre31 cited
  • 2019Opera After the Zero Hour26 cited
  • 1997Mezz Mezzrow and the Voluntary Negro Blues24 cited
  • 1997Fists of Fury20 cited
  • 1997Nazism and the Call of the Jitterbug19 cited
  • 2016The Ambassadorial LPs of Dizzy Gillespie:World StatesmanandDizzy in Greece16 cited
  • 1997Men in Color15 cited
  • 1997The Riddle of the Zoot14 cited
  • 2019The Global Politics of Jazz in the Twentieth Century6 cited
  • 2003

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The Recording Studio as Fetish
3 cited