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Cited by

• 2019Writing about Popular Music53 cited
• 2019Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe45 cited
• 2016Singing the Civilizing Mission in the Land of Bach, Beethoven, and Brahms: The Fisk Jubilee Singers in Nineteenth-Century Germany37 cited
• 2014Becoming the “Black Swan” in Mid-Nineteenth-Century America:8 cited
• 2020Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography5 cited
• 2019Stop the Press? The Changing Media of Music Criticism5 cited
• 2015Uplift, Gender, and Scott Joplin's Treemonisha4 cited
• 2020Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins4 cited
• 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
• 2019Music Criticism in Norway3 cited
• 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
• 2020“Strange What Cosmopolites Music Makes of Us”: Classical Music, the Black Press, and Nora Douglas Holt's Black Feminist Audiotopia3 cited