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Synchrotron Methods: Color in Paints and Minerals
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Synchrotron Methods: Color in Paints and Minerals (2013)Synchrotron Methods: Color in Paints and …Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward (2010)Synchrotron-Based X-ray Absor…Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Characterization of a Degrade…Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visualization of a Lost Paint…Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Applications of synchrotron-b…The Invention of Blue and Purple Pigments in Ancient Times (2007)The Invention of Blue and Pur…The invention of blue and purple pigments in ancient times (2006)The invention of blue and pur…Middle Paleolithic Shell Beads in Israel and Algeria (2006)Middle Paleolithic Shell Bead…Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Blackening of Pompeian Cinnab…Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Three-dimensional micro-XRF i…THE EGYPTIAN GREEN PIGMENT: ITS MANUFACTURING PROCESS AND LINKS TO EGYPTIAN BLUE* (2003)THE EGYPTIAN GREEN PIGMENT: I…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Analysis of rock art painting and technology of Palaeolithic painters (2003)Analysis of rock art painting…A new 3D micro X-ray fluorescence analysis set-up – First archaeometric applications (2003)A new 3D micro X-ray fluoresc…Bone and ivory points in the Lower and Middle Paleolithic of Europe (2001)Bone and ivory points in the …Making make-up in Ancient Egypt (1999)Making make-up in Ancient Egy…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Ancient Egyptian Materials and Industries (1948)Ancient Egyptian Materials and Industries (1963)Do cosmetics enhance female Caucasian facial attractiveness? (2003)Cosmetics as a Feature of the Extended Human Phenotype: Modulation of the Perception of Biologically Important Facial Signals (2011)A review of ancient Egyptian pigments and cosmetics (2015)Lower Palaeolithic hunting spears from Germany (1997)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Paleolithic Technology and Human Evolution (2001)The Upper Paleolithic Revolution (2002)The invisible frontier. A multiple species model for the origin of behavioral modernity (2003)The Origin of Modern Human Behavior (2003)Maya Blue Paint: An Ancient Nanostructured Material (1996)Painting Materials: A Short Encyclopedia (2011)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Raman microscopy in archaeological science (2004)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Emergence of Modern Human Behavior: Middle Stone Age Engravings from South Africa (2002)Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behaviour in the Middle Stone Age (2004)Early human use of marine resources and pigment in South Africa during the Middle Pleistocene (2007)Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France (2006)Trace element characterization of ochre from geological sources (2007)Pigments from the Middle Palaeolithic levels of Es-Skhul (Mount Carmel, Israel) (2010)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Maya Blue: A Computational and Spectroscopic Study (2005)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)The ID21 X-ray and infrared microscopy beamline at the ESRF: status and recent applications to artistic materials (2016)
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References

  • 2006Middle Paleolithic Shell Beads in Israel and Algeria465 cited
  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 2003A new 3D micro X-ray fluorescence analysis set-up – First archaeometric applications261 cited
  • 2006The invention of blue and purple pigments in ancient times255 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 2001Bone and ivory points in the Lower and Middle Paleolithic of Europe174 cited
  • 2003Analysis of rock art painting and technology of Palaeolithic painters171 cited
  • 1999Making make-up in Ancient Egypt159 cited
  • 2007The Invention of Blue and Purple Pigments in Ancient Times145 cited
  • 2010Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward144 cited
  • 2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
  • 2004Three-dimensional micro-XRF investigations of paint layers with a tabletop setup

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140 cited
  • 2008Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings140 cited
  • 2003THE EGYPTIAN GREEN PIGMENT: ITS MANUFACTURING PROCESS AND LINKS TO EGYPTIAN BLUE*129 cited
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