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Implications for Ethnomusicology
10 references·0 citing·25 second hop
Implications for Ethnomusicology (2014)Implications for EthnomusicologyRASA (2010)RASALe texte affecté. Vers une théorie de l’expression musicale (2010)Le texte affecté. Vers une th…The Cultural study of music: a critical introduction (2003)The Cultural study of music: …Fiddler on the move: exploring the klezmer world (2001)Fiddler on the move: explorin…Engendering Song. Singing and Subjectivity at Prespa Albanian Weddings (1998)Engendering Song. Singing and…Ethnomusicology and modern music history (1991)Ethnomusicology and modern mu…Participatory Discrepancies and the Power of Music (1987)Participatory Discrepancies a…Music in the Mind: The Concepts of Music and Musician in Afghanistan (1984)Music in the Mind: The Concep…The Ethnography of Musical Performance (1982)The Ethnography of Musical Pe…Music of North American Indians (1975)Music of North American India…Affects of chaos: Rhetorical pathos and the epistemology of musical discourse (2018)Music and Language (1994)The Theory of Participatory Discrepancies: A Progress Report (1995)Music and the Global Order (2004)The Art of Being Jewish in Modern Times (2008)Gypsy/Klezmer Dialectics: Jewish and Romani Traces and Erasures in Contemporary European World Music (2015)The Cambridge Companion to Jewish Music (2015)The Individual in Musical Ethnography (2012)Anthropology and Voice (2014)Ethnomusicology in Times of Trouble (2014)Chapter 7 Music in Urban Space (2009)Anthropologizing Afghanistan: Colonial and Postcolonial Encounters (2013)On African Music (2023)“the past is far and the future is far”: power and performance among Zulu migrant workers (1992)Native American ways of (music) history (2013)Studies on a Global History of Music: A Balzan Musicology Project (2022)Performance, Transformation, and Community: Contra Dance in New England (1993)EMBRACING THE ROLE OF AMATEUR (1997)Linguistic creativity and the production of cisheteropatriarchy: A comparative analysis of improvised rap battles in Los Angeles and Cape Town (2017)DANCING BODIES ON STAGE (2011)Making Sense of Shifts in Perspectives: Perceiving and Framing Examples of Interreligious Learning in Indonesia (2020)The quest of finding the self in the Bedhaya: Unravelling the psychological significance of the Javanese sacred dance (2021)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Put to the test: For a new sociology of testing (2020)
this work references cited by second hop

References

  • 2003The Cultural study of music: a critical introduction609 cited
  • 1987Participatory Discrepancies and the Power of Music361 cited
  • 2001Fiddler on the move: exploring the klezmer world125 cited
  • 1998Engendering Song. Singing and Subjectivity at Prespa Albanian Weddings113 cited
  • 1984Music in the Mind: The Concepts of Music and Musician in Afghanistan61 cited
  • 2010RASA39 cited
  • 1991Ethnomusicology and modern music history28 cited
  • 1982The Ethnography of Musical Performance18 cited
  • 1975Music of North American Indians4 cited
  • 2010Le texte affecté. Vers une théorie de l’expression musicale2 cited

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