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Fluorescence Fails: Analysis of UVA-Induced Visible Fluorescence and False-Color Reflected UVA Images of Tintype Varnishes Do Not Discriminate Between Varnish Materials
9 references·0 citing·25 second hop
Fluorescence Fails: Analysis of UVA-Induced Visible Fluorescence and False-Color Reflected UVA Images of Tintype Varnishes Do Not Discriminate Between Varnish Materials (2016)Fluorescence Fails: Analysis of UVA-Induc…Personal Communication (2024)Personal CommunicationThe varnished truth: The recipes and reality of tintype coatings (2013)The varnished truth: The reci…Conservation of Easel Paintings (2013)Conservation of Easel Paintin…Bleached shellac picture varnishes: characterization and case studies (2010)Bleached shellac picture varn…Tintype in America, 1856-1880 (2007)Tintype in America, 1856-1880Conservation of Furniture (2007)Conservation of FurnitureFluorescence of Paint and Varnish Layers (Part III) (1982)Fluorescence of Paint and Var…Fluorescence of Paint and Varnish Layers (Part II) (1982)Fluorescence of Paint and Var…Fluorescence of Paint and Varnish Layers (Part I) (1982)Fluorescence of Paint and Var…Infrared Luminescence in the Photographic Examination of Paintings and Other Art Objects (1963)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork (2010)Identification of pigments by multispectral imaging; a flowchart method (2014)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Natural products such as adhesives in oil paintings (2016)Unveiling the Ambrotype: Characterization of Two 19th Century Photographs (2018)Recent Advances in Conservation (1967)The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)What’s Wrong with this Picture? The Technical Analysis of a Known Forgery (2012)The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment (2016)Identification of Coatings on Persian Lacquer Papier Mache Penboxes by Fourier Transform Infrared Spectroscopy and Luminescence Imaging (2021)Rapid initial dimensional changes in wooden panel paintings due to simulated climate-induced alterations monitored by digital coherent out-of-plane interferometry (2009)The significance of values: heritage value typologies re-examined (2016)Non-invasive mobile technology to study the stratigraphy of ancient Cremonese violins: OCT, NMR-MOUSE, XRF and reflection FT-IR spectroscopy (2020)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)A review of solvent action on oil paint (2020)Pigments—Iron-based red, yellow, and brown ochres (2022)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Reflection and Disagreement (2007)The Satisfaction With Life Scale and the emerging construct of life satisfaction (2008)Trust in the public sector: is there any evidence for a long-term decline? (2008)
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References

  • 2024Personal Communication4,545 cited
  • 2013Conservation of Easel Paintings185 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part III)166 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part I)123 cited
  • 2007Conservation of Furniture109 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part II)83 cited
  • 2010Bleached shellac picture varnishes: characterization and case studies27 cited
  • 2013The varnished truth: The recipes and reality of tintype coatings14 cited
  • 2007Tintype in America, 1856-18801 cited

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