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The Moses of Michelangelo.
0 references·16 citing·45 second hop
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  • 2009Anger and Psychopathology128 cited
  • 1977The Work of Hanna Segal: A Kleinian Approach to Clinical Practice128 cited
  • 2003Gradiva Medica: Freud's Model Female Analyst as Lizard-Slayer33 cited
  • 1984An Essay on Method in Applied Psychoanalysis27 cited
  • 2003Observations from the Refuse-Heap: Freud, Michelangelo's Moses, and Psychoanalysis22 cited
  • 2001Psychoanalysis and Art, Freud and Leonardo19 cited
  • 2008Off the beaten track: Freud, sound and music. Statement of a problem and some historico‐critical notes18 cited
  • 2014Dreams of Modernity: Psychoanalysis, Literature, Cinema17 cited
  • 2013Freud’s Shylock14 cited
  • 2001The Seven Strategies of the Sophisticated Pseudo-Scientist: a look into Freud's rhetorical tool box13 cited
  • 1991SIGMUND FREUD: THE SECRETS OF NATURE AND THE NATURE OF SECRETS 110 cited
  • 2017‘For Beauty is nothing but the barely endurable onset of Terror’: Outline of a general psychoanalytic aesthetics8 cited
  • 1993On Monstrously Ambiguous Paintings8 cited
  • 2013The wish for annihilation in ‘love–death’ as collapse of the need for recognition, in Wagner'sTristan und Isolde7 cited

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1989
On history and psychoanalysis.
7 cited
  • 2010Lacan in Art Education6 cited