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The orchestral music
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The orchestral music (2003)The orchestral musicThe orchestral revolution: Haydn and the technologies of timbre (2013)The orchestral revolution: Ha…Victorian Fairies and Felix Mendelssohn'sA Midsummer Night's Dreamin England (2007)Victorian Fairies and Felix M…Anonymous Sources: Finnissy Analysis and the Opening of Chapter Eight of "The History of Photography in Sound" (2007)Anonymous Sources: Finnissy A…Knowing Mendelssohn: A Challenge from the Primary Sources (2004)Knowing Mendelssohn: A Challe…Schubert'sQuartettsatzand sonata form's new way1 (2002)Schubert'sQuartettsatzand son…Fundamentals of Musical Composition (1968)Classic Music: Expression, Form, and Style (1981)Phrase Rhythm in Tonal Music (1991)Remembering a Dream: The Tragedy of Romantic Memory in the Modulatory Processes of Schubert's Sonata Forms (2012)When Structure and Design Collide: The Three-Key Exposition Revisited (2014)Tonality (2023)The Romantic Generation (1995)The New Grove dictionary of music and musicians (2001)Mendelssohn: A Life in Music (2003)Victorian Spectacular Theatre 1850-1910 (1982)Actresses as working women: their social identity in Victorian culture (1992)THE CONDITION OF MUSIC IN VICTORIAN SCHOLARSHIP (2016)These fragments I have shored: Collage and montage in early modernist poetry (1984)The Piano Music (1998)The Structure of Scientific Revolutions (1963)The Senses Considered as Perceptual Systems (1969)Image and logic: a material culture of microphysics (1998)Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism (2013)A corpus analysis of timbre semantics in orchestration treatises (2018)Describing Sound (2018)
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  • 2013The orchestral revolution: Haydn and the technologies of timbre103 cited
  • 2002Schubert'sQuartettsatzand sonata form's new way16 cited
  • 2004Knowing Mendelssohn: A Challenge from the Primary Sources6 cited
  • 2007Victorian Fairies and Felix Mendelssohn'sA Midsummer Night's Dreamin England4 cited
  • 2007Anonymous Sources: Finnissy Analysis and the Opening of Chapter Eight of "The History of Photography in Sound"2 cited

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