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What’s Wrong with this Picture? The Technical Analysis of a Known Forgery
7 references·1 citing·29 second hop
What’s Wrong with this Picture? The Technical Analysis of a Known Forgery (2012)What’s Wrong with this Picture? The Techn…AIC Paintings Specialty Group Postprints 30 (2017) (2017)AIC Paintings Specialty Group…Bleached shellac picture varnishes: characterization and case studies (2010)Bleached shellac picture varn…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…A Review of the Classes, Structures, and Methods of Analysis of Synthetic Organic Pigments (2006)A Review of the Classes, Stru…Molecular Pattern Recognition of Fresh and Aged Shellac (2003)Molecular Pattern Recognition…Ageing behaviour and analytical pyrolysis characterisation of diterpenic resins used as art materials: Manila copal and sandarac (2003)Ageing behaviour and analytic…Applications of Transmitted Infrared Radiation to the Examination of Artifacts (1985)Applications of Transmitted I…Use of infrared hyperspectral imaging as an aid for paint identification (2016)Use of infrared hyperspectral…Raman spectroscopic database of azo pigments and application to modern art studies (2000)Analysis of modern paints (2004)The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography–mass spectrometry (2011)Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples (2014)Trends in High Performance Liquid Chromatography for Cultural Heritage (2016)Spectroscopic Investigations of Amber (1986)The Organic Chemistry of Museum Objects (1988)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)RECONSTRUCTING ANCIENT YEMENI COMMERCIAL ROUTES DURING THE MIDDLE AGES USING STRUCTURAL CHARACTERIZATION OF TERPENOID RESINS* (2008)Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy (2008)Application of ATR-far-infrared spectroscopy to the analysis of natural resins (2010)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)Using ultra‐violet and infra‐red techniques in the examination and documentation of historic textiles (1994)Infrared imaging of twentieth-century works of art (2000)Archaeological wood characterisation by PY/GC/MS, GC/MS, NMR and GPC techniques (2006)Py‐GC/MS of Organic Paint Binders (2009)The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry (2017)The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment (2016)Identification of Coatings on Persian Lacquer Papier Mache Penboxes by Fourier Transform Infrared Spectroscopy and Luminescence Imaging (2021)Multi-analytical approach to the study of mecca gilding technique (2021)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Blue Pigments in South American Painting (1610–1780) (1999)Holographic Interferometry (HI), Infrared Vision and X-Ray Fluorescence (XRF) spectroscopy for the assessment of painted wooden statues: a new integrated approach (2013)Time-Dependent ATR-FTIR Spectroscopic Studies on Solvent Diffusion and Film Swelling in Oil Paint Model Systems (2018)
this work references cited by second hop

References

  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2006A Review of the Classes, Structures, and Methods of Analysis of Synthetic Organic Pigments111 cited
  • 2003Ageing behaviour and analytical pyrolysis characterisation of diterpenic resins used as art materials: Manila copal and sandarac95 cited
  • 2003Molecular Pattern Recognition of Fresh and Aged Shellac79 cited
  • 1985Applications of Transmitted Infrared Radiation to the Examination of Artifacts30 cited
  • 2010Bleached shellac picture varnishes: characterization and case studies27 cited
  • 2017AIC Paintings Specialty Group Postprints 30 (2017)26 cited

Cited by

  • 2016Use of infrared hyperspectral imaging as an aid for paint identification11 cited

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