Flexing the Frame in Javanese Gamelan Music

R. Anderson Sutton · Roger R. Vetter

22 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Diverse Music Education Insights Diverse Musicological Studies

Abstract

Abstract This chapter provides a study of composition and improvisation techniques in Javanese music: Javanese “Compositions” for Gamelan Ensemble: Gendhing; Ladrang Pangkur; Treatment (Garapan): Realizing Ladrang Pangkur in Performance; The Macro-form; Enriching the Form: Tempo Changes, Interruptions, and Irama Shifts; and Varying the Main Melody.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 22 citations exist upstream.

References

2001The New Grove dictionary of music and musicians 1981The New Grove Dictionary of Music and Musicians 2005Unplayed melodies: Javanese gamelan and the genesis of music theory 1975Music in Java; Its History, Its Theory and Its Technique 1989Women and Music in Cross-Cultural Perspective 2002Worlds of Music: An Introduction to the Music of the World’s Peoples 1954The nuclear theme as a determinant of paṭet in Javanese music 1990Karawitan: Source Readings in Javanese Gamelan and Vocal Music

Cited by

2019Layers and Elasticity in the Rhythm of Noh Songs 2019An Approach to Musical Rhythm in Agbadza 2019Thought and Play in Musical Rhythm 2019Modern Drum Solos Over Ostinatos 2021Tracing the bongkel: bamboo music of rural farmers in Banyumas, Central Java, Indonesia

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.