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The Lost Movements of Ernst Toch’s Gesprochene Musik
5 references·0 citing·13 second hop
The Lost Movements of Ernst Toch’s Gesprochene Musik (2014)The Lost Movements of Ernst Toch’s Gespro…Instruments for New Music: Sound, Technology, and Modernism (2015)Instruments for New Music: So…From Trinidad to Cyberspace: Reconsidering Ernst Toch’s “Geographical Fugue” (2012)From Trinidad to Cyberspace: …Berlin Alexanderplatz: radio, film, and the death of Weimar culture (2006)Berlin Alexanderplatz: radio,…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…Spiegel der Neuen Musik : Donaueschingen : Chronik-Tendenzen-Werkbesprechungen (1996)Spiegel der Neuen Musik : Don…Brecht on Theatre: The Development of an Aesthetic (1964)The Audible Past (2003)The audible past: cultural origins of sound reproduction (2003)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)Radio Fields: Anthropology and Wireless Sound in the 21st Century (2012)Soundscapes of the Urban Past (2013)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’sPiano Concerto in G Major (2019)Musik und Technik (1999)Hindemith, Toch, andGrammophonmusik (2001)Walter Ruttmanns abstrakter Kurzfilm OPUS III (1924) mit der Musik von Hanns Eisler (1927) (2023)
this work references cited by second hop

References

  • 2005Capturing sound: how technology has changed music830 cited
  • 2006Berlin Alexanderplatz: radio, film, and the death of Weimar culture40 cited
  • 1996Spiegel der Neuen Musik : Donaueschingen : Chronik-Tendenzen-Werkbesprechungen20 cited
  • 2015Instruments for New Music: Sound, Technology, and Modernism18 cited
  • 2012From Trinidad to Cyberspace: Reconsidering Ernst Toch’s “Geographical Fugue”4 cited

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