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Afrofuturism and Post-Soul Possibility in Black Popular Music
6 references·14 citing·41 second hop
Afrofuturism and Post-Soul Possibility in Black Popular Music (2007)Afrofuturism and Post-Soul Possibility in…Soul babies: black popular culture and the post-soul aesthetic (2002)Soul babies: black popular cu…Race, Sex, and Nerds (2002)Race, Sex, and Nerds“Feenin” (2002)“Feenin”The Black Atlantic: Modernity and Double Consciousness. (1997)The Black Atlantic: Modernity…Caribbean discourse: selected essays (1990)Caribbean discourse: selected…The death of rhythm & blues (1988)The death of rhythm & blues‘Hell You Talmbout’: Janelle Monáe’s Black Cyberfeminist Sonic Aesthetics (2021)‘Hell You Talmbout’: Janelle …Afrofuturist trajectories across time, space and media (2020)Afrofuturist trajectories acr…Afrofuturism: Reimagining Art Curricula for Black Existence (2020)Afrofuturism: Reimagining Art…‘Every time I dress myself, it go motherfuckin’ viral’: Post-verbal flows and memetic hype in Young Thug's mumble rap (2020)‘Every time I dress myself, i…Technological Elites, the Meritocracy, and Postracial Myths in Silicon Valley (2019)Technological Elites, the Mer…Technological Elites, the Meritocracy, and Postracial Myths in Silicon Valley (2019)Technological Elites, the Mer…Listening for the Interior in Hip-Hop and R&B Music (2019)Listening for the Interior in…Black Sex in the Quiet (2019)Black Sex in the QuietBecked Up (2019)Becked UpPurple Visions of Blackness: Prince’s Expansion of the Depictions of Black Experiences Through his Music Videos (2018)Purple Visions of Blackness: …Janelle Monáe and Afro-Sonic Feminist Funk (2017)Janelle Monáe and Afro-Sonic …Michael Jackson and Afrofuturism: HIStory’s Adaptation of Past, Present, and Future (2015)Michael Jackson and Afrofutur…Living in the Immaterial World: Holograms and Spirituality in Recent Popular Music (2015)Living in the Immaterial Worl…Freakifying history: remixing royalty (2015)Freakifying history: remixing…Writing and Difference (1980)The Postmodern Condition: A Report on Knowledge (1984)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)The Ships Landed Long Ago: Afrofuturism and Black SF (2007)‘‘When Keeping it Real Goes Wrong’’: Resident Evil 5, Racial Representation, and Gamers (2011)“White and Nerdy”: Computers, Race, and the Nerd Stereotype (2011)A Thousand Plateaus: Capitalism and Schizophrenia (1989)How We Became Posthuman (1999)How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (2001)‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music (2003)Media and Prosthesis (2012)Anthropology and Voice (2014)Mama's Baby, Papa's Maybe: An American Grammar Book (1987)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Further Considerations of Afrofuturism (2003)Afrofuturism, science fiction, and the history of the future (2006)We Want to Do More Than Survive: Abolitionist Teaching and the Pursuit of Educational Freedom (2019)The Arts and New Materialism: A Call to Stewardship through Mercy, Grace, and Hope (2020)Looking back, looking forward: Resisting the white gaze in historical narratives and future possibilities of art education (2021)Negotiating the Art of Protest through Craftivism (2022)We Have Never Been Modern (1994)Reassembling the Social (2005)Meeting the Universe Halfway (2007)Anticipatory Social Work (2025)Discipline and Punish: The Birth of the Prison (1978)Distinction: A Social Critique of the Judgement of Taste. (1985)The Datafication of #MeToo: Whiteness, Racial Capitalism, and Anti-Violence Technologies (2021)(Not) Paying for Diversity: Repugnant Market Concerns Associated with Transactional Approaches to Diversity Recruitment (2023)Data Worlds: An Introduction (2023)“Drop It Like It's Hot” (2008)Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic (2009)The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough” (2012)The Caribbean Region: An Open Frontier in Anthropological Theory (1992)IMPERIAL DEBRIS: Reflections on Ruins and Ruination (2008)The Decolonizing Generation: (Race and) Theory in Anthropology since the Eighties (2016)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)“The Streets” (2006)Performing Race in Flavor of Love and The Bachelor (2008)
this work references cited by second hop

References

  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1990Caribbean discourse: selected essays1,558 cited
  • 2002“Feenin”243 cited
  • 2002Race, Sex, and Nerds195 cited
  • 2002Soul babies: black popular culture and the post-soul aesthetic172 cited
  • 1988The death of rhythm & blues62 cited

Cited by

  • 2019Technological Elites, the Meritocracy, and Postracial Myths in Silicon Valley46 cited
  • 2020Afrofuturism: Reimagining Art Curricula for Black Existence42 cited
  • 2020Afrofuturist trajectories across time, space and media30 cited
  • 2019Black Sex in the Quiet27 cited
  • 2015Living in the Immaterial World: Holograms and Spirituality in Recent Popular Music27 cited
  • 2019Technological Elites, the Meritocracy, and Postracial Myths in Silicon Valley26 cited
  • 2020‘Every time I dress myself, it go motherfuckin’ viral’: Post-verbal flows and memetic hype in Young Thug's mumble rap18 cited
  • 2021‘Hell You Talmbout’: Janelle Monáe’s Black Cyberfeminist Sonic Aesthetics18 cited
  • 2015Michael Jackson and Afrofuturism: HIStory’s Adaptation of Past, Present, and Future16 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2019Listening for the Interior in Hip-Hop and R&B Music16 cited
  • 2019Becked Up9 cited
  • 2017Janelle Monáe and Afro-Sonic Feminist Funk5 cited
  • 2018Purple Visions of Blackness: Prince’s Expansion of the Depictions of Black Experiences Through his Music Videos3 cited
  • 2015Freakifying history: remixing royalty2 cited