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Metricism in Yorùbá wórò rhythm
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Metricism in Yorùbá wórò rhythm (2016)Metricism in Yorùbá wórò rhythmRepresenting African Music (2014)Representing African MusicThe Facts on File Dictionary of Music (2004)The Facts on File Dictionary …The Facts on File dictionary of music (2004)The Facts on File dictionary …Form, function, and style in African music (1998)Form, function, and style in …Tonal Harmony, with an Introduction to Twentieth-Century Music (1986)Tonal Harmony, with an Introd…African Rhythm and African Sensibility (1982)African Rhythm and African Se…A Dictionary of Philosophy (1979)A Dictionary of PhilosophyStructural Levels of Rhythm and Form in African Music (1975)Structural Levels of Rhythm a…Deep and Surface Structures in Venda Music (1971)Deep and Surface Structures i…Continuity and Change in African Cultures. (1960)Continuity and Change in Afri…Harvard Dictionary of Music (1946)Harvard Dictionary of MusicThe Oxford Companion to Music (1938)The Oxford Companion to MusicStructural Hearing; Tonal Coherence in Music (1953)Schenker's Conception of Musical Structure (1959)Theory of Suspensions (1972)Systèmes Musicaux en Afrique Subsaharienne (1988)Inside a master drummer's mind: a quantitative theory ofstructures in African music (2007)Drumming among the Akan and Anlo Ewe of Ghana: an introduction (2009)Human Sperm Competition (1984)Language Contact and Grammatical Change (2005)The Macro-Sudan belt: towards identifying a linguistic area in northern sub-Saharan Africa (2007)Music and Politics in Africa (2004)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Macro-Cultural Psychology (2012)Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure (2000)The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel Van Der Watt’s Song Cycle, Die Wind Dreun Soos ‘N Ghoera, ‘N Siklus Boesman-mites (2014)Music Theory and the White Racial Frame (2020)Thematic fame, melodic originality, and musical zeitgeist: A biographical and transhistorical content analysis. (1980)On Compositional Process in the Fifteenth Century (1987)Music, Mood, and Marketing (1990)Music misuse: A review of the personal and collective roles of “problem music” (2014)Misconceptions of the “Comic” Genre in Opera (2019)Exploration of Music Preferences among the Socioeconomic Stereotypes: A Cross-Sectional Study (2021)Musical sound and Contextual Input: A Performance Model for Musical Analysis (1987)Musical Structure, Performance and Meaning: The Case of a Stick-Dance from Nepal (2006)Banjo Transformations and Bluegrass Rhythm (2009)Classical Music as Popular Music (1984)How the dithyramb got its shape (1997)Instrumental performance in the twentieth century and beyond (2012)Organization Studies and the New Pragmatism: Positivism, Anti-positivism, and the Search for Ethics (1998)On Searle [on Austin] on language (2000)A critical analysis of the conceptualisation of ‘coaching philosophy’ (2014)From Participant Observation to the Observation of Participation: The Emergence of Narrative Ethnography (1991)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Dub: soundscapes and shattered songs in Jamaican reggae (2007)
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References

  • 1946Harvard Dictionary of Music336 cited
  • 1982African Rhythm and African Sensibility312 cited
  • 2014Representing African Music286 cited
  • 1960Continuity and Change in African Cultures.249 cited
  • 1986Tonal Harmony, with an Introduction to Twentieth-Century Music138 cited
  • 1979A Dictionary of Philosophy94 cited
  • 1971Deep and Surface Structures in Venda Music83 cited
  • 1938The Oxford Companion to Music37 cited
  • 2004The Facts on File dictionary of music22 cited
  • 1975Structural Levels of Rhythm and Form in African Music19 cited
  • 1998Form, function, and style in African music10 cited
  • 2004The Facts on File Dictionary of Music7 cited

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