The Audience Is the Message: Blast Theory’s App-Drama Karen

Erin B. Mee

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Theatre and Performance Studies Art, Technology, and Culture Arts and Performance Studies

Abstract

“App-drama” is a new theatrical genre that exists in the liminal space between live performance and electronic prerecording. Karen uses the data participants provide to tailor her conversations to the participant in a participatory smartphone theatre production/game/film about the virtual relationships we create by oversharing private information in virtual spaces.

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References

1998The possessive investment in whiteness: how white people profit from identity politics 2014The Journal of Pan African Studies 1968The Empty Space 2007The price of whiteness: Jews, race, and American identity 2013Audience Participation in Theatre: Aesthetics of the Invitation 2011Sweating Saris: Indian Dance as Transnational Labor 2014‘When This You See’: The (anti) radical time of mobile self-surveillance 2011"I Don't Want to Do African ... What about My Technique?:" Transforming Dancing Places into Spaces in the Academy

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