References

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Cited by

• 1998Carnivals for elites? The cultural politics of arts festivals256 cited
• 1998Wagner, Deafness, and the Reception of Beethoven's Late Style82 cited
• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2019Opera After the Zero Hour26 cited
• 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
• 1997Reading a staging/Staging a reading19 cited
• 2010Theater Festivals, Total Works of Art, and the Revival of Greek Tragedy on the Modern Stage18 cited
• 2012The performer and the composer10 cited
• 1998Reading and staging again9 cited
• 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2022