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Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity
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  • 2017Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism92 cited
  • 2019Piano transductions: music, sound and noise in urban Taiwan38 cited
  • 2018Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto16 cited
  • 2018In 8100 Again: The Sounds of Students Breaking16 cited
  • 2017Musicalization and Mediatization14 cited
  • 2014Understanding Everyday Uses of Music Technologies in the Digital Age10 cited
  • 2020«Context is the new genre»8 cited
  • 2016Music Listening Activities in the Digital Age: An Act of Cultural Participation through Adequate Music6 cited
  • 2021Looking back, Looking through, Looking beneath6 cited
  • 2013You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’.5 cited
  • 2016Listening While Muslim4 cited
  • 2021Listen, Watch, Play and Relax: YouTube, Video Games and Library Music in Everyday Life During the Pandemic4 cited
  • 2016Music in indie video games: a composer's perspective on musical approaches and practices4 cited
  • 2019Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship4 cited

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  • 2020“Musicalization of the Culture”: Is Music Becoming Louder, More Repetitive, Monotonous and Simpler?3 cited
  • 2020Musik und Emotionen. Eine Einleitung3 cited