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Practice as Research in Performance: from epistemology to evaluation
9 references·2 citing·33 second hop
Practice as Research in Performance: from epistemology to evaluation (2003)Practice as Research in Performance: from…Unmarked (2003)UnmarkedPractice as Research (2003)Practice as ResearchPerformance Studies: An Introduction (2003)Performance Studies: An Intro…Incorporating practice (2003)Incorporating practiceA Methodology for Practice as Research (2002)A Methodology for Practice as…The construction of social reality (1995)The construction of social re…Bodied spaces: phenomenology and performance in contemporary drama (1995)Bodied spaces: phenomenology …The reflective practitioner: How professionals think in action (1984)The reflective practitioner: …Personal Knowledge: Towards a Post-Critical Philosophy (1959)Personal Knowledge: Towards a…Performance Practice as Research: Perspectives from a Small Island (2009)Performance Practice as Resea…Conceptual smoke and digital mirrors? Issues in audio—visual (A/V) practice research (2007)Conceptual smoke and digital …Resolving Social Conflicts (1950)Phenomenological research methods (1994)Practice-as-Research and Original Practices (2017)The Discovery of Grounded Theory (2017)Creativity and Playfulness in Higher Education Research (2018)Researcher experiences in practice-based interdisciplinary research (2021)Live art: Definition and documentation (1994)Practice as research in performance: from epistemology to evaluation (2004)Dialogic Evidence: Documentation of Ephemeral Events (2008)Liveness: performance in a mediatized culture (2008)Research-Based Practice: Situating Vertical City between Artistic Development and Applied Cognitive Science (2009)Gender Trouble: Feminism and the Subversion of Identity (1991)Bridging Epistemologies: The Generative Dance Between Organizational Knowledge and Organizational Knowing (1999)Knowledge and Organization: A Social-Practice Perspective (2001)Managing the co-creation of value (2007)The debate on research in the Arts (2010)Arts and humanities research evaluation: no metrics please, just data (2015)Co-production: towards a utopian approach (2017)Telling more than we can know: Verbal reports on mental processes. (1977)Review : Knowledge Management and Knowledge Management Systems: Conceptual Foundations And Research Issues1,2 (2001)Firm resources and sustained competitive advantage (2004)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Intensities of feeling: towards a spatial politics of affect (2004)Formal Dining at Cambridge Colleges: Linking Ritual Performance and Institutional Maintenance (2010)Ontological Security in World Politics: State Identity and the Security Dilemma (2006)Discursive Institutionalism: The Explanatory Power of Ideas and Discourse (2008)Taking ideas and discourse seriously: explaining change through discursive institutionalism as the fourth ‘new institutionalism’ (2010)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)Performativity and the Event: Enacting a Philosophy of Difference (2000)The Cambridge History of British Theatre (2004)Mapping Intermediality in Performance (2011)
this work references cited by second hop

References

  • 1984The reflective practitioner: How professionals think in action19,752 cited
  • 1959Personal Knowledge: Towards a Post-Critical Philosophy7,900 cited
  • 1995The construction of social reality4,674 cited
  • 2003Performance Studies: An Introduction2,271 cited
  • 2003Unmarked803 cited
  • 1995Bodied spaces: phenomenology and performance in contemporary drama188 cited
  • 2003Practice as Research125 cited
  • 2002A Methodology for Practice as Research55 cited
  • 2003Incorporating practice14 cited

Cited by

  • 2009Performance Practice as Research: Perspectives from a Small Island9 cited
  • 2007Conceptual smoke and digital mirrors? Issues in audio—visual (A/V) practice research6 cited

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