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“Could We Not Dye It Red at Least?”: Color and Race in West Side Story
14 references·0 citing·33 second hop
“Could We Not Dye It Red at Least?”: Color and Race in West Side Story (2016)“Could We Not Dye It Red at Least?”: Colo…The Great White Way: race and the Broadway musical (2014)The Great White Way: race and…West Side Story as Cinema: The Making and Impact of an American Masterpiece (2013)West Side Story as Cinema: Th…West Side story: cultural perspectives on an American musical (2011)West Side story: cultural per…Something's coming, something good: West Side story and the American imagination (2011)Something's coming, something…Tracking the Vampire (2009)Tracking the VampireThe Films of Robert Wise (2007)The Films of Robert WiseSomewhere: the life of Jerome Robbins (2007)Somewhere: the life of Jerome…Color, the Formless, and Cinematic Eros (2006)Color, the Formless, and Cine…The American musical and the formation of national identity (2005)The American musical and the …The American Musical and the Formation of National Identity (2004)The American Musical and the …Colors demonic and divine: shades of meaning in the Middle Ages and after (2004)Colors demonic and divine: sh…Feeling Pretty (2000)Feeling PrettyThe Censoring of Rebel Without a Cause (1995)The Censoring of Rebel Withou…White (1988)WhiteBlackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. (1997)4.3 ‘Bodies that Matter’ (1999)“WE'LL ALWAYS BE BOSOM BUDDIES” (2006)What Is This "Black" in Black Popular Culture? (2006)Latinidad and masculinidad in Hollywood scripts (2008)Music in the Age of Anxiety: American Music in the Fifties (2016)The Fantastic: A Structural Approach to a Literary Genre (1976)Film and the Masquerade: Theorising the Female Spectator (1982)Heterologies: Discourse on the Other (1987)Qualitative Inquiry (2011)Queer as a Political Concept (2015)Yahweh as Maternal Vampire in Second Isaiah: Reading from Violence to Fluid Possibility with Luce Irigaray (2017)Black Musical Theatre: From Coontown to Dreamgirls. (1990)Music of the Great Depression (2005)Changed for Good: A Feminist History of the Broadway Musical (2011)American Musical Theatre before the Twentieth Century (2017)Toward a More Perfect Hamilton (2017)TikTok Broadway (2024)The Oxford Handbook of The American Musical (2011)Domestic Melodrama (2018)Making Light (2018)Musical theater and American culture (2004)The Cambridge Companion to Operetta (2019)Whiteness: A strategic rhetoric (1995)Representing Whiteness in the Black Imagination (1997)The discourse of denial: how white teacher candidates construct race, racism and ‘white privilege’ (2005)Weaving the Rainbow: Visions of Color in World History (2007)El creciente campo de los Estudios Sensoriales (2014)Dazzling Blue: Color Symbolism, Kabbalistic Myth, and the Evil Eye in Judaism (2017)The Cambridge Companion to the Musical (2017)The Coming of the Musical Play: Rodgers and Hammerstein (2017)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)
this work references cited by second hop

References

  • 1988White815 cited
  • 2004The American Musical and the Formation of National Identity142 cited
  • 2005The American musical and the formation of national identity108 cited
  • 2014The Great White Way: race and the Broadway musical93 cited
  • 2007Somewhere: the life of Jerome Robbins45 cited
  • 2011West Side story: cultural perspectives on an American musical43 cited
  • 2011Something's coming, something good: West Side story and the American imagination28 cited
  • 2000Feeling Pretty28 cited
  • 2009Tracking the Vampire26 cited
  • 2004Colors demonic and divine: shades of meaning in the Middle Ages and after13 cited
  • 2006Color, the Formless, and Cinematic Eros8 cited
  • 1995The Censoring of Rebel Without a Cause7 cited
  • 2013West Side Story as Cinema: The Making and Impact of an American Masterpiece7 cited
  • 2007The Films of Robert Wise7 cited

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