SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
MUSEUM EXHIBITIONS AND THE DYNAMICS OF DIALOGUE
0 references·16 citing·57 second hopsampled
MUSEUM EXHIBITIONS AND THE DYNAMICS OF DIALOGUE (1999)MUSEUM EXHIBITIONS AND THE DYNAMICS OF DI…The impact of a gamified mobile question-asking app on museum visitor group interactions: an ICAP framing (2021)The impact of a gamified mobi…Networks on the walls: Analyzing “traces” of institutional logics in museums’ permanent exhibitions (2019)Networks on the walls: Analyz…Digitally enhanced polyvocality and reflective spaces (2019)Digitally enhanced polyvocali…Visitor perspectives on commenting in museums (2018)Visitor perspectives on comme…Understanding the Rhetoric of Dialogue and the Dialogue of Rhetoric (2018)Understanding the Rhetoric of…The value of learning talk: applying a novel dialogue scoring method to inform interaction design in an open-ended, embodied museum exhibit (2017)The value of learning talk: a…Los números cuentan. Sub-representación de la obra artística de mujeres creadoras en museos y centros de arte contemporáneos (2016)Los números cuentan. Sub-repr…Relationship Between Guest Experience, Personality Characteristics, and Satisfaction: Moderating Effect of Extraversion and Openness to Experience (2015)Relationship Between Guest Ex…The museum values framework: a framework for understanding organisational culture in museums (2013)The museum values framework: …Developing dialogue in co-produced exhibitions: between rhetoric, intentions and realities (2013)Developing dialogue in co-pro…Cultural consumption, interactive sociality, and the museum (2013)Cultural consumption, interac…Rhetorics of Value: Constituting Worth and Meaning through Cultural Display (2011)Rhetorics of Value: Constitut…The co-production of temporary museum exhibitions (2010)The co-production of temporar…Exhibiting Archaeology: Archaeology and Museums (2010)Exhibiting Archaeology: Archa…‘The feeling of exclusion’: Young peoples' perceptions of art galleries (2006)‘The feeling of exclusion’: Y…The Effective Management of Museums: Cohesive Leadership and Visitor-focused Public Programming (2000)The Effective Management of M…Competing for the Future (1994)Competitive Advantage Through People (1994)Built to last: Successful habits of visionary companies (1996)Retaining the visitor, enhancing the experience: identifying attributes of choice in repeat museum visitation (2008)Embedding civil engagement in museums (2010)Gender and Ethnic Diversity on Boards and Corporate Responsibility: The Case of the Arts Sector (2015)A Cognitive Model of the Antecedents and Consequences of Satisfaction Decisions (1980)SERVQUAL: A multiple-Item Scale for measuring consumer perceptions of service quality (1988)Measuring Service Quality: A Reexamination and Extension (1992)Exploring Theme Park Visitors’ Experience on Satisfaction and Revisit Intention: A Utilization of Experience Economy Model (2019)The effects of mood and personality type on service quality perception and customer satisfaction (2019)From Tourist Experience to Satisfaction and Loyalty: Exploring the Role of a Sense of Well-Being (2023)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Case Study Research: Design and Methods (1984)Museum finances: challenges beyond economic crises (2012)Science Centers and Public Participation (2012)Bridging gaps between intentions and realities: a review of participatory exhibition development in museums (2015)Brand Community (2001)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Keeping your audience: Presenting a visitor engagement scale (2014)The impact of interactive technologies on the social experience: An empirical study in a cultural tourism context (2020)The impact of the Covid-19 pandemic on customer experience design: The hotel managers’ perspective (2021)Advances in Consumer Research (2025)Communities of practice learning, meaning, and identity (1999)Museums creating value and developing intellectual capital by technology (2018)What makes a museum attractive to young people? Evidence from Italy (2018)Cultural sustainability: A perspective from independent libraries in the United Kingdom and the United States (2021)Knowledge, Education and Cultural Change (1974)Common Culture: Symbolic Work At Play In The Everyday Cultures Of The Young (1990)Learning to Labor: How Working Class Kids Get Working Class Jobs. (1996)Cultural inclusion, exclusion and the formative roles of museums (2008)Making museum tours better: understanding what a guided tour really is and what a tour guide really does (2012)Coloring the destination: The role of color psychology on Instagram (2020)The cultural biography of things: commoditization as process (1986)The Social Life of Things (1986)The Predicament of Culture (1988)Exhibition, Difference, and the Logic of Culture (2006)Collecting, Exhibiting, and Interpreting: Museums as Mediators and Midwives of Meaning (2014)Bringing Slavery into the Light in Postcolonial Portugal (2020)The Field of Cultural Production: Essays on Art and Literature (1996)Art And Agency (1998)Routes: Travel and Translation in the Late Twentieth Century. (1998)A Conflicted Legacy: Paul Sidney Martin as Museum Archaeologist, 1925–38 (2010)Powerful objects, difficult dialogues: mobilizing archaeological exhibits for civic engagement (2018)Intangible Cultural Heritage: ‘Curating’ the Human (2022)Qualitative Data Analysis: An Expanded Sourcebook (1994)Metaphors We Live By (2003)Human-Computer Interactions in Museums (2019)Human-Computer Interactions in Museums (2019)Reflections and looking ahead for CSCL: digital infrastructures, digital tools, and collaborative learning (2019)The Coding Manual for Qualitative Researchers (2025)Social Learning Theory (1977)Real World Research: A Resource for Social Scientists and Practitioner-Researchers (1993)Interactive communication using social media – the case of museums in Southern Poland (2021)The influence of visitor-based social contextual information on visitors’ museum experience (2022)Visitors' cognitive vaccines: Self-reflection on dissonant narratives after heritage tourism experiences (2025)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

No references inside the corpus for this window.

Cited by

  • 2013Cultural consumption, interactive sociality, and the museum122 cited
  • 2006‘The feeling of exclusion’: Young peoples' perceptions of art galleries73 cited
  • 2011Rhetorics of Value: Constituting Worth and Meaning through Cultural Display69 cited
  • 2010The co-production of temporary museum exhibitions60 cited
  • 2017The value of learning talk: applying a novel dialogue scoring method to inform interaction design in an open-ended, embodied museum exhibit48 cited
  • 2010Exhibiting Archaeology: Archaeology and Museums46 cited
  • 2015Relationship Between Guest Experience, Personality Characteristics, and Satisfaction: Moderating Effect of Extraversion and Openness to Experience38 cited
  • 2013The museum values framework: a framework for understanding organisational culture in museums36 cited
  • 2000The Effective Management of Museums: Cohesive Leadership and Visitor-focused Public Programming33 cited
  • 2018Visitor perspectives on commenting in museums31 cited
  • 2018Understanding the Rhetoric of Dialogue and the Dialogue of Rhetoric30 cited
  • 2013Developing dialogue in co-produced exhibitions: between rhetoric, intentions and realities22 cited
  • 2019Networks on the walls: Analyzing “traces” of institutional logics in museums’ permanent exhibitions17 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2021The impact of a gamified mobile question-asking app on museum visitor group interactions: an ICAP framing16 cited
  • 2019Digitally enhanced polyvocality and reflective spaces14 cited
  • 2016Los números cuentan. Sub-representación de la obra artística de mujeres creadoras en museos y centros de arte contemporáneos14 cited