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Una mirada a la diversidad en las industrias radiofónica y musical en España
11 references·0 citing·46 second hop
Una mirada a la diversidad en las industrias radiofónica y musical en España (2016)Una mirada a la diversidad en las industr…The Determinants of the Diversity of Cultural Expressions - An International Quantitative Analysis of Diversity of Production in the Recording Industry (2010)The Determinants of the Diver…How should cultural diversity be measured? An application using the French publishing industry (2007)How should cultural diversity…Predicting cultural output diversity in the radio industry, 1989–2002 (2004)Predicting cultural output di…Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004)Concentration and Diversity R…Pop music radio in the public service: BBC Radio 1 and new music in the 1990s (2000)Pop music radio in the public…And the hits just keep on coming: Music programming standardization in commercial radio (2000)And the hits just keep on com…The Music Industry (1999)The Music IndustryDeconstructing the Diversity Principle (1999)Deconstructing the Diversity …Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…Noise... The Political Economy of Music (1988)Noise... The Political Econom…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Institutional Change and the Transformation of Interorganizational Fields: An Organizational History of the U.S. Radio Broadcasting Industry (1991)The Production of Culture Perspective (2004)Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–1990 (2005)Vox Populi: Resource Partitioning, Organizational Proliferation, and the Cultural Impact of the Insurgent Microradio Movement (2006)(Un)conscious (popular) underground: Restricted cultural production and underground rap music (2014)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The Iron Caged Revisited : Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Changing Market Information Regimes: A Case Study of the Transition to the BookScan Audience Measurement System in the U.S. Book Publishing Industry (2005)THE SONGS OF THE SIREN: Engineering National Time on Israeli Radio (2009)Chart Turnover and Sales in the Recorded Music Industry: 1990–2005 (2010)Technological evolution, variety and the economy (1996)The Winner-Take-All Society (1996)Does the Long Tail apply to online news? A quantitative study of French-speaking news websites (2010)The Economics of Cultural Policy (2010)Crowdfunding and social influence: an empirical investigation (2017)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)On Record: Rock, Pop and the Written Word (1990)Performing rites: on the value of popular music (1997)Dumbing down or shaping up? (2001)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Radio on demand: New habits of consuming radio content (2022)Capitalism, Socialism and Democracy (1997)The Theory of Economic Development (2003)The Typical Tools for the Job: Research Strategies in Institutional Analysis (2006)Gatekeeper search and selection strategies: Relational and network governance in a cultural market (2011)Cultural Industries: Product–Market Characteristics, Management Challenges and Industry Dynamics (2014)The Media Monopoly. (1984)Media performance: mass communication and the public interest (1992)The Horizontal Merger Guidelines of 1992 (1995)Regulating the new information intermediaries as gatekeepers of information diversity (2015)Why and how higher media concentration equals lower news diversity – The Mediahuis case (2019)Factors affecting users' satisfaction and dissatisfaction of OTT services in South Korea (2021)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Why 1955? Explaining the advent of rock music (1990)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Rethinking Business Models in Creative Industries (2014)‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties (2015)Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach (2016)A Sweet Lullaby for World Music (2000)Doing anthropology in sound (2004)Classification as Culture: Types and Trajectories of Music Genres (2008)
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References

  • 1988Noise... The Political Economy of Music600 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 1999Deconstructing the Diversity Principle370 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 2004Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990150 cited
  • 2007How should cultural diversity be measured? An application using the French publishing industry63 cited
  • 1999The Music Industry58 cited
  • 2000And the hits just keep on coming: Music programming standardization in commercial radio56 cited
  • 2000Pop music radio in the public service: BBC Radio 1 and new music in the 1990s45 cited
  • 2004Predicting cultural output diversity in the radio industry, 1989–200234 cited
  • 2010The Determinants of the Diversity of Cultural Expressions - An International Quantitative Analysis of Diversity of Production in the Recording Industry5 cited

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