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Notes on Cinematography
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Notes on Cinematography (1977)Notes on Cinematography“You'll Never Get It If You Don't Slow Down, My Friend”: Towards a Rhythmanalysis of the Everyday in the Cinema of Jim Jarmusch and Gus Van Sant (2019)“You'll Never Get It If You D…The Total Filmmaker: thinking of screenwriting, directing and editing as one role (2016)The Total Filmmaker: thinking…Puppet Animation Films and Gesture Aesthetics (2015)Puppet Animation Films and Ge…The Performative Aesthetics of the ‘Greek New Wave’ (2014)The Performative Aesthetics o…Eyes and narrative perspectives on a story: a practice-led exploration of the use of eyes and eye lines in fiction film (2014)Eyes and narrative perspectiv…Zen and the art of film narrative: towards a transcendental realism in film (2010)Zen and the art of film narra…Against the Image: Herzog and the Troubling Politics of the Screen Animal (2008)Against the Image: Herzog and…A short history of film (2008)A short history of filmPerformance Design: An Analysis of Film Acting and Sound Design (2006)Performance Design: An Analys…Despair Abounding: The Recent Films of Robert Bresson (1980)Despair Abounding: The Recent…Laban for Actors and Dancers (1993)Visual and Other Pleasures (1989)The Celluloid Closet : Homosexuality in the Movies (1991)Looking for the Other: Feminism, Film and the Imperial Gaze (1997)The Magical Neoliberalism of Network Films (2014)Modern Man in Search of a Soul (1935)THE ACT OF CREATION (1967)Concerning the Spiritual in Art (1977)Method in Madness: A Case Study in Practice Research Methods (2017)Transcendental Style in Film: Ozu, Bresson, Dreyer (1972)Religion and Film: Part I: History and Criticism (2004)Cinema 1: The Movement-Image (1987)The Third Eye (1996)The Animal That Therefore I Am (2010)Why Look at Dead Animals? (2016)The Hero with a Thousand Faces (1949)Questions of Cinema (1981)The Address of the Eye (1992)L'effet de réel (1968)Narration in the Fiction Film (2013)Poetry, Language, Thought (1972)Hand and mind: what gestures reveal about thought (1993)Gesture Visible Action as Utterance (2004)Gesture as transduction of characterisation in children’s literature animation adaptation (2018)Minima Moralia: Reflections from Damaged Life (1951)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The Work of Art in the Age of Mechanical Reproduction (2007)
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Cited by

  • 2016The Total Filmmaker: thinking of screenwriting, directing and editing as one role20 cited
  • 2008Against the Image: Herzog and the Troubling Politics of the Screen Animal17 cited
  • 2008A short history of film15 cited
  • 2010Zen and the art of film narrative: towards a transcendental realism in film8 cited
  • 1980Despair Abounding: The Recent Films of Robert Bresson8 cited
  • 2014Eyes and narrative perspectives on a story: a practice-led exploration of the use of eyes and eye lines in fiction film6 cited
  • 2015Puppet Animation Films and Gesture Aesthetics6 cited
  • 2006Performance Design: An Analysis of Film Acting and Sound Design5 cited
  • 2019“You'll Never Get It If You Don't Slow Down, My Friend”: Towards a Rhythmanalysis of the Everyday in the Cinema of Jim Jarmusch and Gus Van Sant5 cited
  • 2014The Performative Aesthetics of the ‘Greek New Wave’5 cited

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