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Authenticity, Shinichi Suzuki, and “Beautiful Tone with Living Soul, Please”
16 references·3 citing·33 second hop
Authenticity, Shinichi Suzuki, and “Beautiful Tone with Living Soul, Please” (2016)Authenticity, Shinichi Suzuki, and “Beaut…61. The Saturated Self: Dilemmas of Identity in Contemporary Life (2015)61. The Saturated Self: Dilem…Care of the soul (2012)Care of the soulThe Philosophy of Shinichi Suzuki: “Music Education as Love Education” (2011)The Philosophy of Shinichi Su…The Oxford Handbook of Aesthetics (2009)The Oxford Handbook of Aesthe…The art of teaching music (2008)The art of teaching musicAn 'Ecospiritual' Perspective: Finally, a Place for Indigenous Approaches (2006)An 'Ecospiritual' Perspective…On Being Authentic (2004)On Being AuthenticThe Courage to Teach (1999)The Courage to TeachAuthenticities: Philosophical Reflections on Musical Performance (1996)Authenticities: Philosophical…The Ethics of Authenticity (1992)The Ethics of AuthenticityThe Concept of Music (1990)The Concept of MusicIdentity: Cultural Change and the Struggle for Self (1986)Identity: Cultural Change and…Shinichi Suzuki: The Man and His Philosophy (1981)Shinichi Suzuki: The Man and …The unknown craftsman : a Japanese insight into beauty (1978)The unknown craftsman : a Jap…The art of piano playing (1973)The art of piano playingThe Divine Proportion (1970)The Divine ProportionA Systematic Review of Experimental Research on the Effectiveness of the Suzuki Music Teaching Method in Instrumental Instruction (2024)A Systematic Review of Experi…“Beautiful Tone, Beautiful Heart?” Shinichi Suzuki's Pedagogy of Sound and Self (2024)“Beautiful Tone, Beautiful He…‘Everyone is always learning’: Case study of a Suzuki-inspired preschool (2019)‘Everyone is always learning’…Development as Freedom (2001)Development as Freedom (2009)Environmental social work in the disciplinary literature, 1991–2015 (2018)Developing the notion of ubuntu as African theory for social work practice (2019)For the love of our children: an Indigenous connectedness framework (2019)Modernity and Self-Identity (2023)History of Modern Aesthetics (2005)Beyond Mimesis and Convention (2010)Laying Claim to Authenticity: Five Anthropological Dilemmas (2013)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Subjective Uncertainty Reduction through Self-categorization: A Motivational Theory of Social Identity Processes (2000)Online Communication Among Adolescents: An Integrated Model of Its Attraction, Opportunities, and Risks (2010)The Dual Career of “Arirang”: The Korean Resistance Anthem That Became a Japanese Pop Hit (2007)Beyond Kansei Engineering: The Emancipation of Kansei Design (2013)3D-modeling and 3D-printing Explorations on Japanese Tea Ceremony Utensils (2017)Philosophical Perspectives On Music’s Expressiveness (2001)The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues (2004)Radical Authentic Leadership: Co-creating the conditions under which all members of the organization can be authentic (2011)Culturally Relevant Pedagogy: Ingredients for Critical Teacher Reflection (2003)In search of the essence of a good teacher: towards a more holistic approach in teacher education (2004)Levels in reflection: core reflection as a means to enhance professional growth (2005)Science and aesthetics: A partnership for science education (1991)The mathematical analysis of the structure of some songs (2005)Numeric Expression of Aesthetics and Beauty (2007)The self and social behavior in differing cultural contexts. (1989)Relation of threatened egotism to violence and aggression: The dark side of high self-esteem. (1996)Bicultural Identity Integration (BII): Components and Psychosocial Antecedents (2005)Rethinking authenticity in tourism experience (1999)Values as the Core of Personal Identity: Drawing Links between Two Theories of Self (2003)ETHICS AND POLITICS IN QUALITATIVE RESEARCH (2005)Positive Psychology, Ethnocentrism, and the Disguised Ideology of Individualism (2008)Breaking Them in or Eliciting Their Best? Reframing Socialization around Newcomers’ Authentic Self-expression (2013)Imagine there are no leaders: Reframing leadership as collaborative agency (2014)
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References

  • 1992The Ethics of Authenticity3,162 cited
  • 201561. The Saturated Self: Dilemmas of Identity in Contemporary Life2,217 cited
  • 1999The Courage to Teach1,108 cited
  • 1986Identity: Cultural Change and the Struggle for Self655 cited
  • 2004On Being Authentic281 cited
  • 2006An 'Ecospiritual' Perspective: Finally, a Place for Indigenous Approaches179 cited
  • 2009The Oxford Handbook of Aesthetics153 cited
  • 1970The Divine Proportion140 cited
  • 1996Authenticities: Philosophical Reflections on Musical Performance111 cited
  • 1978The unknown craftsman : a Japanese insight into beauty97 cited
  • 1973The art of piano playing72 cited
  • 2008The art of teaching music60 cited
  • 2012Care of the soul54 cited
  • 1990The Concept of Music27 cited
  • 2011The Philosophy of Shinichi Suzuki: “Music Education as Love Education”25 cited
  • 1981Shinichi Suzuki: The Man and His Philosophy25 cited

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  • 2024

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A Systematic Review of Experimental Research on the Effectiveness of the Suzuki Music Teaching Method in Instrumental Instruction
6 cited
  • 2019‘Everyone is always learning’: Case study of a Suzuki-inspired preschool6 cited
  • 2024“Beautiful Tone, Beautiful Heart?” Shinichi Suzuki's Pedagogy of Sound and Self2 cited