The Composers’ Collective of New York, 1932–1936: Bourgeois Modernism for the Proletariat

Abstract

Research Article| October 01 2016 The Composers’ Collective of New York, 1932–1936: Bourgeois Modernism for the Proletariat Maria Cristina Fava Maria Cristina Fava Maria Cristina Fava is an assistant professor at the Eastman School of Music. Her research considers the multifaceted social, economic, political, and intellectual contexts of American musical life during the first half of the twentieth century, including the intersections of music and politics that characterized the Great Depression era and the effects of McCarthyism on film music composers. She has presented her research at various national and international conferences, including meetings of the American Musicological Society and the Society for American Music. Search for other works by this author on: This Site Google American Music (2016) 34 (3): 301–343. https://doi.org/10.5406/americanmusic.34.3.0301 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Maria Cristina Fava; The Composers’ Collective of New York, 1932–1936: Bourgeois Modernism for the Proletariat. American Music 1 January 2016; 34 (3): 301–343. doi: https://doi.org/10.5406/americanmusic.34.3.0301 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2016 by the Board of Trustees of the University of Illinois2016 Article PDF first page preview Close Modal Issue Section: ARTICLES You do not currently have access to this content.

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