Theorizing the local: music, practice, and experience in South Asia and beyond

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Musicology and Musical Analysis Music History and Culture Diverse Musicological Studies

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ACKNOWLEDGMENTS TABLE OF CONTENTS NOTE ON TRANSLITERATION LIST OF MAPS Chapter One Introduction (Richard K. Wolf) PART I: BODIES AND INSTRUMENTS Chapter Two Women and Kandyan dance: Negotiating gender and tradition in Sri Lanka (Susan A. Reed) Chapter Three Listening to the violin in South Indian classical music (Amanda Weidman) Chapter Four Local practice, global network: the guitar in India as a case study (Martin Clayton) PART II: SPACES AND ITINERARIES Chapter Five Constructing the local: Migration and cultural geography in the Indian brass band trade (Gregory Booth) Chapter Six The princess of the musicians: R?ni Bh?niy?oi and the M?ngani?r of Western Rajasthan (Shubha Chaudhuri) Chapter Seven Music in Urban Space: Newar Buddhist processional music in the Kathmandu Valley (Gert-Matthias Wegner) PART III: LEARNING AND TRANSMISSION Chapter Eight Disciple And preceptor/performer in Kerala (Rolf Groesbeck) Chapter Nine S?na ba s?na or from father to son: Writing the culture of discipleship (egula Burckhardt Qureshi) Chapter Ten Handmade in Nepal (David Henderson) PART IV: THEORIZING SOCIAL ACTION Chapter Eleven Modes of theorizing in Iranian Khorasan (Stephen Blum) Chapter Twelve Zahirok: The musical base of Baloch minstrelsy (Sabir Badalkhan) Chapter Thirteen Varoams and vocalizations: The special status of some musical beginnings (Richard K. Wolf) GLOSSARY BIBLIOGRAPHY

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