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“A New Pleasure”: Listening to National Gramophonic Society Records, 1924–1931
11 references·1 citing·30 second hop
“A New Pleasure”: Listening to National Gramophonic Society Records, 1924–1931 (2010)“A New Pleasure”: Listening to National G…The Pursuit of High Culture: John Ella and Chamber Music in Victorian London (2007)The Pursuit of High Culture: …Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…The intellectual life of the British working classes (2002)The intellectual life of the …La constitution d'une culture et d'une ecoute musicale nouvelles: Le disque et ses sociabilites comme agents de changement culturel dans les annees 1920 et 1930 en Grande-Bretagne (2002)La constitution d'une culture…Between history and commodity: the production of a musical patrimony through the record in the 1920–1930s (2001)Between history and commodity…Gramophone: the First 75 Years (1998)Gramophone: the First 75 YearsListening in Paris: A Cultural History. (1995)Listening in Paris: A Cultura…Listening in Paris (1995)Listening in ParisThe Piano (1990)The PianoPopular Music in England, 1840-1914. A Social History (1989)Popular Music in England, 184…A culture for democracy: mass communication and the cultivated mind in Britain between the wars (1989)A culture for democracy: mass…A technology and its vicissitudes: playing the gramophone in Sweden 1903–1945 (2019)A technology and its vicissit…The Past is a Foreign Country (1986)Cultural Capital: The Problem of Literary Canon Formation (1994)After Adorno: rethinking music sociology (2003)Music as cognition (2003)La Passion musicale (2007)Quando há artificação? (2013)The social implications of demographic change (1990)The Cambridge History of British Theatre (2004)AUDIENCE DEVELOPMENT AND SOCIAL INCLUSION IN BRITAIN (2006)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Spiritual Capital: Theorizing Religion with Bourdieu against Bourdieu (2003)The Anthropology of Texts, Persons and Publics (2007)Escape Routes: Control and Subversion in the Twenty-First Century (2008)Music Lovers (2001)After Adorno : rethinking music sociology (2003)Entendement musical et malentendu culturel : le concert comme lieu de confrontation symbolique (2004)L’économie de la découverte musicale à l’ère numérique (2019)Performing the (Sound)World (2000)Doing anthropology in sound (2004)White Collars, Gray Lives? The Lower Middle Class Revisited (1999)Media and the Making of British Society, c .1700-2000 (2002)Does democracy cause innovation? An empirical test of the popper hypothesis (2017)Listening through Reading: Musical Literacy and the Concert Audience (1992)On the economics of musical composition in Mozart's Vienna (1994)The Cambridge History of the Book in Britain (2009)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Charles Dibdin and Late Georgian Culture (2018)
this work references cited by second hop

References

  • 2002The intellectual life of the British working classes1,148 cited
  • 2005Capturing sound: how technology has changed music830 cited
  • 1995Listening in Paris628 cited
  • 1995Listening in Paris: A Cultural History.329 cited
  • 1990The Piano187 cited
  • 1989Popular Music in England, 1840-1914. A Social History173 cited
  • 1989A culture for democracy: mass communication and the cultivated mind in Britain between the wars126 cited
  • 2007The Pursuit of High Culture: John Ella and Chamber Music in Victorian London59 cited
  • 2001Between history and commodity: the production of a musical patrimony through the record in the 1920–1930s42 cited
  • 2002La constitution d'une culture et d'une ecoute musicale nouvelles: Le disque et ses sociabilites comme agents de changement culturel dans les annees 1920 et 1930 en Grande-Bretagne11 cited
  • 1998Gramophone: the First 75 Years7 cited

Cited by

  • 2019A technology and its vicissitudes: playing the gramophone in Sweden 1903–19453 cited

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