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A multi-technique approach to the chemical characterization of colored inks in contemporary art: The materials of Lucio Fontana

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References

2008Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection262 cited
2011Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering118 cited
2007High-performance liquid chromatography and non-destructive three-dimensional fluorescence analysis of early synthetic dyes106 cited
1989Fourier Transform Infrared Spectral Analysis of Natural Resins Used in Furniture Finishes94 cited
2001HPLC Analysis of Ballpoint Pen Inks Stored at Different Light Conditions94 cited
2008Forensic discrimination of blue ballpoint pen inks based on thin layer chromatography and image analysis84 cited
2012Contribution to the identification of α‐, β‐ and ε‐copper phthalocyanine blue pigments in modern artists' paints by X‐ray powder diffraction, attenuated total reflectance micro‐fourier transform infrared spectroscopy and micro‐Raman spectroscopy68 cited
2011Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers65 cited
201320th century artists’ oil paints: The case of the Olii by Lucio Fontana63 cited
2014Fourier‐transform surface‐enhanced Raman spectroscopy (FT‐SERS) applied to the identification of natural dyes in textile fibers: an extractionless approach to the analysis52 cited
2010Issues in the Conservation of Photographs43 cited
2013A vibrational spectroscopic and principal component analysis of triarylmethane dyes by comparative laboratory and portable instrumentation

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2012Issues in the Conservation of Photographs11 cited

Cited by

2018Using Raman spectroscopy to estimate the dates of carbon-based inks from Ancient Egypt33 cited
2017A multi-analytical non-invasive and micro-invasive approach to canvas oil paintings. General considerations from a specific case30 cited
2018Towards a Surface Enhanced Raman Scattering (SERS) spectra database for synthetic organic colourants in cultural heritage. The effect of using different metal substrates on the spectra29 cited
2018A combined Surface Enhanced Raman Spectroscopy (SERS)/UV–vis approach for the investigation of dye content in commercial felt tip pens inks28 cited
2018Disclosing the composition of historical commercial felt-tip pens used in art by integrated vibrational spectroscopy and pyrolysis-gas chromatography/mass spectrometry24 cited
2017Pyrolysis gas chromatography–mass spectrometry of triarylmethane dyes22 cited
2018Macroscopic reflectance spectral imaging to reveal multiple and complementary types of information for the non-invasive study of an entire polychromatic manuscript22 cited
2020The brightest colors: A Fourier‐transform Raman, surface‐enhanced Raman, and thin‐layer chromatography‐surface‐enhanced Raman spectroscopy study of fluorescent artists' paints21 cited
2018Identification of dye content in colored BIC ballpoint pen inks by Raman spectroscopy and surface‐enhanced Raman scattering21 cited
2018Handheld surface‐enhanced Raman scattering identification of dye chemical composition in felt‐tip pen drawings19 cited
2019Fabrication of transparent composites for non-invasive Surface Enhanced Raman Scattering (SERS) analysis of modern art works18 cited
2018Plasmonic colloidal pastes for surface-enhanced Raman spectroscopy (SERS) of historical felt-tip pens13 cited
2018Simulating the composition and structuration of coloring layers in historical painting from non-invasive spectral reflectance measurements11 cited
2022Swab-based minimally invasive analysis of synthetic organic dyes using flexible paper-based SERS substrates: A case study of Chinese New Year paintings10 cited
2022Trends of Forensic Analysis of Pen Ink Using Attenuated Total Reflectance Fourier Transform Infrared (ATR-FTIR) Spectroscopy10 cited
2020Lucio Fontana and the light: Spectroscopic analysis of the artist's collection at the National Gallery of Modern and Contemporary Art10 cited