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Cited by

• 2008IDENTITY FOR SALE:26 cited
• 2009Surviving the City: Press Agents, Publicity Stunts, and the Spectacle of the Urban Female Body21 cited
• 2008Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions19 cited
• 2005“The Mad Search for Beauty”: Actresses' Testimonials, the Cosmetics Industry, and the “Democratization of Beauty”18 cited
• 2008SEPARATED AT “BIRTH”:18 cited
• 2015‘To be black is to be funny’: ‘Coon-shouting’ and the melancholic production of the white comedienne15 cited
• 2015DOUBLE-VOICED: MUSIC, GENDER, AND NATURE IN PERFORMANCE14 cited
• 2008“The Battle Of the Saxes”11 cited
• 2004Why Women Loved Billy Sunday: Urban Revivalism and Popular Entertainment in Early Twentieth-Century American Culture11 cited
• 2010Burnt: Writing Torch Singers and Torch Singing8 cited
• 2011‘The Canny Scot’: Harry Lauder and the Performance of Scottish Thrift in American Vaudeville 15 cited
• 2015“The Jewish Girl with a Colored Voice”: Sophie Tucker and the Sounds of Race and Gender in Modern America4 cited
• 2014“A Sweet Canadian Girl”: English-Canadian Actresses’ Transatlantic and Transnational Careers through the Lenses of Canadian Magazines, 1890s–1940s4 cited
• 2011