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The social and built infrastructure of cultural policy: between selective popular memory and future plans
16 references·0 citing·45 second hop
The social and built infrastructure of cultural policy: between selective popular memory and future plans (2016)The social and built infrastructure of cu…Handbook of critical policy studies (2016)Handbook of critical policy s…Selling Digital Music, Formatting Culture (2015)Selling Digital Music, Format…Creative Industries and Development (2014)Creative Industries and Devel…Why Music Matters (2013)Why Music MattersLiving the Hiplife (2013)Living the HiplifeHip Hop Africa: New African Music in a Globalizing World (2013)Hip Hop Africa: New African M…Highlife Saturday Night: Popular Music and Social Change in Urban Ghana (2012)Highlife Saturday Night: Popu…The economy of live music in the digital age (2010)The economy of live music in …Trojan horse or Rorschach blot? Creative industries discourse around the world (2009)Trojan horse or Rorschach blo…How and Why Does History Matter for Development Policy? (2009)How and Why Does History Matt…Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005) (2008)Convention on the Protection …Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2006)Convention on the Protection …Chapter 20 Rockonomics: The Economics of Popular Music (2006)Chapter 20 Rockonomics: The E…Writing the World from an African Metropolis (2004)Writing the World from an Afr…The Global Reach of a New Discourse (2004)The Global Reach of a New Dis…People as Infrastructure: Intersecting Fragments in Johannesburg (2004)People as Infrastructure: Int…Creative industries: contracts between art and commerce (2000)Cultural industries and cultural policy (2005)From cultural to creative industries (2005)Negotiating oppositions and uncertainties: Gendered conflicts in creative identity work (2010)Creative Industries, Inequality and Social Development: Developments, Impacts and Challenges in Cape Town (2012)Inside the whale (and how to get out of there): Moving on from two decades of creative industries research (2017)Human geography today (1999)From Holloway to Hollywood: Happiness at Work in the New Cultural Economy? (2002)Not So Cool Britannia (2004)Stages in the economic globalization of tourism (2007)Precarity as a Political Concept, or, Fordism as Exception (2008)Planning Histories and Practices of Circulating Urban Knowledge (2013)The Production of Space (1992)Writings on cities (1996)5. The Practice of Everyday Life (2000)The 21st-Century Metropolis: New Geographies of Theory (2008)Migration Infrastructure (2014)The Nature of Cities: The Scope and Limits of Urban Theory (2014)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)African Modes of Self-Writing (2002)The Exhaustion of Difference: The Politics of Latin American Cultural Studies (2002)Cities in a World of Cities: The Comparative Gesture (2010)Cities: Reimagining the Urban (2020)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Club cultures: music, media and subcultural capital (1996)Destination culture: tourism, museums, and heritage (1999)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? (2020)PORTFOLIO SELECTION* (1952)Global distribution and drivers of language extinction risk (2014)Cultural policies for sustainable development: four strategic paths (2017)The participative turn in cultural policy: Paradigms, models, contexts (2018)Applying Heritage Impact Assessment to urban development: World Heritage property of Masjed-e Jame of Isfahan in Iran (2017)The more funding the better? The moderating role of knowledge stock on the effects of different government-funded research projects on firm innovation in Chinese cultural and creative industries (2018)Platform Spaces: When culture and the arts intersect territorial development and social innovation, a view from the Italian context (2020)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)Music Platforms and the Optimization of Culture (2020)Questioning security devices: Performativity, resistance, politics (2015)A discursive cartography of nationally determined contributions to the Paris climate agreement (2019)Making interpretive policy analysis critical and societally relevant: emotions, ethnography and language (2022)Applying Music in Exercise and Sport (2007)Popular music and society (2015)Capitalism and the media: moral economy, well-being and capabilities (2016)
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References

  • 2004People as Infrastructure: Intersecting Fragments in Johannesburg2,223 cited
  • 2004Writing the World from an African Metropolis819 cited
  • 2008Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005)313 cited
  • 2006Convention on the Protection and Promotion of the Diversity of Cultural Expressions266 cited
  • 2015Selling Digital Music, Formatting Culture226 cited
  • 2016Handbook of critical policy studies180 cited
  • 2010The economy of live music in the digital age167 cited
  • 2013Why Music Matters155 cited
  • 2009Trojan horse or Rorschach blot? Creative industries discourse around the world117 cited
  • 2004The Global Reach of a New Discourse109 cited
  • 2012Highlife Saturday Night: Popular Music and Social Change in Urban Ghana101 cited
  • 2006Chapter 20 Rockonomics: The Economics of Popular Music92 cited
  • 2013Living the Hiplife85 cited
  • 2013Hip Hop Africa: New African Music in a Globalizing World76 cited
  • 2009How and Why Does History Matter for Development Policy?76 cited
  • 2014Creative Industries and Development

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