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What the Places Teach Us: Challenges for Cultural Tourism and Indigenous Stewardship of Rock Art Sites in the North American Midcontinent
6 references·3 citing·42 second hop
What the Places Teach Us: Challenges for Cultural Tourism and Indigenous Stewardship of Rock Art Sites in the North American Midcontinent (2016)What the Places Teach Us: Challenges for …The global implications of the early surviving rock art of greater Southeast Asia (2014)The global implications of th…Rock Art and the Sacred Landscapes of Mainland Southeast Asia (2013)Rock Art and the Sacred Lands…Rock Art and the UNESCO World Heritage List (2012)Rock Art and the UNESCO World…Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective (2012)Recursive and Iterative Proce…Andrée Rosenfeld and the Archaeology of Rock‐Art1 (1999)Andrée Rosenfeld and the Arch…Images of Power and the Power of Images: The Significance of Rock Art for Contemporary Zunis (1985)Images of Power and the Power…Slipping the settler-colonial gaze: rock paintings and Anishinaabeg iconological sovereignty (2026)Slipping the settler-colonial…Exploring Relationality: Perspectives on the Research Narratives of the Rock Art of the Algonquian-Speaking Peoples of Central and Eastern Canada (2020)Exploring Relationality: Pers…We are all connected: rock art ontologies in the Southwestern U.S (2019)We are all connected: rock ar…The Artworld (1964)Contemporary Indigenous Relationships to Archaeological Features: Agency, Affect, and the Social Significance of Rock Art (2016)Relating to Rock Art in the Contemporary World: Navigating Symbolism, Meaning, and Significance (2016)Social Values and Rock Art Tourism: An Ethnographic Study of the Huashan Rock Art Area (China) (2017)Nietzsche and Philosophy (1984)Ancestral Connections: Art and an Aboriginal System of Knowledge. (1995)A phenomenology of landscape (2009)The Archaeology of Memory: The Recursive Relationship of Martu Rock Art and Place (2013)Country and Relational Ontology in the Kimberley, Northwest Australia: Implications for Understanding and Representing Archaeological Evidence (2018)Reconstructing rock art chronology with transfer learning: A case study from Arnhem Land, Australia (2021)The mind in the cave: consciousness and the origins of art (2003)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)Pleistocene cave art from Sulawesi, Indonesia (2014)Radiocarbon age constraints for a Pleistocene–Holocene transition rock art style: The Northern Running Figures of the East Alligator River region, western Arnhem Land, Australia (2016)The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art (2018)Ages for Australia’s oldest rock paintings (2021)Archaeologies of Landscape: Contemporary Perspectives. By Wendy Ashmore and A. Bernard Knapp. (2001)Southeast Asia : from prehistory to history (2004)Uranium-series dating rock art in East Timor (2006)A Systematic Quantitative Literature Review of Southeast Asian and Micronesian Rock Art (2019)Characterization of painting pigments and ochres associated with the Hoabinhian archaeological context at the rock-shelter site of Doi Pha Kan (Thailand) (2019)Principles of Archaeological Stratigraphy (1990)The power of stone: symbolic aspects of stone use and tool development in western Arnhem Land, Australia (1991)The advancement of science: science without legend, objectivity without illusions (1993)Recent Art History in Rock Country: Bark Painters Inspired by Rock Paintings (2016)The Place of Rock Art in the Contemporary World (2016)Carnarvon Gorge: safekeeping a place and Indigenous agency within rock art research and management (2019)Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art (1991)By the hunter, for the gatherer: Art, social relations and subsistence change in the prehistoric Great Basin (1994)Making (2013)Qualia in late precolonial Pueblo rock art: An exploration of conventionalized sensorial experience in Rio Grande Style petroglyphs (2023)Toward decolonizing rock art research: it takes a revolution (2026)We have never been modern (1994)We Have Never Been Modern (1994)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)Techné of Rock Engravings—the Timna Case Study (2024)The Gender of the GiftProblems with Women and Problems with Society in Melanesia (1988)“Animism” Revisited (1999)The Perception of the Environment (2002)Frontiers, Settlements, and Development in Folklore Studies, 1972-1985 (1986)Memory Pieces and Footprints: Multivocality and the Meanings of Ancient Times and Ancestral Places among the Zuni and Hopi (2006)The Southwest School of Landscape Archaeology (2010)
this work references cited by second hop

References

  • 2014The global implications of the early surviving rock art of greater Southeast Asia87 cited
  • 1985Images of Power and the Power of Images: The Significance of Rock Art for Contemporary Zunis42 cited
  • 2012Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective38 cited
  • 2013Rock Art and the Sacred Landscapes of Mainland Southeast Asia29 cited
  • 2012Rock Art and the UNESCO World Heritage List25 cited
  • 1999Andrée Rosenfeld and the Archaeology of Rock‐Art119 cited

Cited by

  • 2019We are all connected: rock art ontologies in the Southwestern U.S4 cited
  • 2020Exploring Relationality: Perspectives on the Research Narratives of the Rock Art of the Algonquian-Speaking Peoples of Central and Eastern Canada2 cited
  • 2026Slipping the settler-colonial gaze: rock paintings and Anishinaabeg iconological sovereignty0 cited

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