Visual Surveillance. Transmedial migrations of a scopic form

Abstract

Analyzing a series of works realized in the media of performance and photography (Vito Acconci, Sophie Calle), video installation (Michael Snow, Bruce Nauman, Dan Graham) and found footage cinema (Michael Klier, Eyal Sivan, Harun Farocki) we will observe how the act of visual surveillance can be enacted or detected in different media while maintaining its defining characteristic: the disciplining power of an asymmetric gaze which is more and more present across the social space, thanks to the proliferation of video cameras, and which since the late 1960s has been explored by different generations of artists in all its political, psychological and aesthetic dimensions. The result will be a reflection on one of the possible ways of understanding the phenomenon of intermediality : in this case, intermediality as the transmedial migrations of a scopic form, of a way of seeing.

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